The reveal (also known as the big reveal) is a plot device in narrative structure, and is the exposure to the reader or audience of a previously unseen key character or element of plot or of the performance.
A reveal is different from Aristotle's anagnorisis, in which something is revealed to a character rather than to the audience.
Narrative[]
The reveal may result in a plot twist, and could be the key plot turn or unexpected coda in the story – in the mystery genre, for example. It may have scenes in the future that reveal consequences of actions to provide a lead for what will occur in the plot or side plot, this may be the overarching plot line in mystery or soap opera. It may also be used as a device (particularly in the climax) in stage magic by an illusionist or escape artist.[1]
Stage magic[]
In a magician's act, "the reveal" may refer to[1]
- the normal culmination of a trick
- the unexpected (to the audience) culmination of the trick
- an explanation of the trick – which itself may be immediately eclipsed by a version of the trick that the first reveal can't explain.
Film[]
Reveal is also used for two distinct cinematographic techniques:
- A slow, theatrically presented image of an important character or item not seen previously in the film;
- A close-up, wide shot, or other unusual camera point-of-view that shows the audience an important visual clue not known to characters in the same scene.
In the sense of first-time showing of a character, a reveal is similar to, but usually not same as, the opening shot or Establishing shot that gives the location or context of a new scene.
References[]
- ↑ 1.0 1.1 Clark, James L. (2012). "Performing the Corkscrew". Mind Magic and Mentalism for Dummies. John Wiley & Sons, Ltd. https://books.google.com/books?id=mekGtpHh5zUC&pg=PT159&dq=%22the+reveal%22+magic&hl=en&sa=X&ei=Qgz7T-bhF4uZiAfklsmABw&ved=0CD0Q6AEwAQ#v=onepage&q=%22the%20reveal%22&f=false. Retrieved 10 July 2012.
Narrative | |
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Character | Antagonist • Antihero • Archenemy • Character arc • Characterization • Deuteragonist • False protagonist • Focal character • Foil • Narrator • Protagonist • Stock character • Supporting character • Tragic hero • Tritagonist |
Plot | Action • Backstory • Chekhov's gun • Cliché • Cliffhanger • Climax • Conflict • Deus ex machina • Dialogue • Dramatic structure • Eucatastrophe • Exposition • Foreshadowing • Flashback • Flashforward • Frame story • In medias res • Kishōtenketsu • MacGuffin • Occam's razor • Pace • Plot device • Plot twist • Poetic justice • Red herring • Reveal • Self-fulfilling prophecy • Subplot • Suspense • Trope |
Setting | Alternate history • Backstory • Dystopia • Fictional location (city • country • universe) • Utopia |
Theme | Irony • Leitmotif • Metaphor • Moral • Motif |
Style | Allegory • Bathos • Diction • Figure of speech • Imagery • Narrative techniques • Mode • Mood • Narration • Stylistic device • Suspension of disbelief • Symbolism • Tone |
Structure | Linear narrative • Nonlinear narrative (films • television series) • Types of fiction with multiple endings |
Form | Comics • Epic • Fable • Fabliau • Fairy tale • Flash fiction • Folktale • Legend • Novel • Novella • Parable • Play • Poem • Screenplay • Short story |
Genre | Action fiction • Adventure • Comic • Crime • Docufiction • Epistolary • Erotic • Fantasy • Fiction • Gothic • Historical • Horror • List of writing genres • Magic realism • Mystery • Nautical • Paranoid • Philosophical • Picaresque • Political • Psychological • Romance • Saga • Satire • Science • Speculative • Superhero • Thriller • Urban • Western |
Narration | First-person • Multiple narrators • Stream of consciousness • Stream of unconsciousness • Unreliable |
Tense | Past • Present • Future |
Related | Audience • Author • Creative nonfiction • Fiction writing • Literary science • Literary theory • Monomyth • Narratology • Rhetoric • Screenwriting • Storytelling • Tellability |
Template:Cinematic techniques