Paul Cézanne (Aix-en-Provence, 19 January 1839 – died October 22, 1906) was a French painter. Cézanne belongs to the post impressionism, a European art movement that follows the Impressionism. His work formed a bridge between Impressionism and Cubism.
Content[]
- 2 Influences
- Work 3
- 4 list of paintings
- 5 Themes
- 6 influence of Cézanne
- 7 Museums
- 8 Exhibitions
- 9 external links
- 10 sources and references
Biography[Edit][]
Paul Cézanne was born as a son of the late Louis-Auguste Cézanne hats trader and banker and Anne-Elisabeth Honorine Aubert. His parents were married in 1844, after the birth of Paul and his sister Marie (1841).
Already during his school time, starting from 1856 Cézanne, followed an evening course drawing at Joseph-Marc Gibert at the museum of Aix. Between 1859 and 1861 he studied at the same time, rights, but Cézanne attended drawing and painting lessons. He worked temporarily at the bank from his father, but this pleased him not. Against the wishes of his father chose Cézanne for art. He succeeded his friend Émile Zola to Paris. His father, who was very wealthy-he was after first Milliner to have been a founder of the bank Cézanne & Cabassol-supported him could be financially independent anyway, so then Cézanne.
In Paris, he studied at the Académie Suisse. In 1863, he tried to be admitted to the Art Academy, but when that failed he continued his studies at the Académie Suisse. Between 1863 and 1869 he tried to exhibit at the official Paris salon, but was denied each time. He exhibited with others on the Salon des Refusés (Salon of the geweigerden) in 1863.
In 1869 he learned know Hortense the Salon . They went secretly living together and kept their relationship secret for a long time and their son Paul Cézanne's father, that this relationship would not approve.Eventually he met his approximately 11-year-old grandson. The Salon rejected Cézanne Hortense.
In 1872 he lived in Auvers-sur-Oise. He met Camille Pissarro and other impressionists, but found little connection with them. He worked in the House of doctor Paul Gachet. In 1874 the Impressionists organized their first joint exhibition in the Studio of the photographer Nadar. Paul Cézanne let there be three paintings: Une modern Olympia, La Maison du pendu and Étude, paysage d'Auvers.
He did in 1874 with the first exhibition of the Impressionists in Paris. In 1875 the second exhibition of the Impressionists, however, little work place, where he sold. In 1877 was the third exhibition there again there is a lot of criticism on the Impressionists. Paul Cézanne left in 1885 to Gardanne, a small village near Aix. Here he makes several paintings of the Montagne Sainte-Victoire.
In 1882, twenty years after his first attempt, at the end of the work of Cézanne was allowed in the Salon.
After the death of his father in 1886, he received a large inheritance, whereby he was financially independent. He married in the same year, the salon with Hortense, after 20 years to have cohabited with her.Cézanne has about 25 portraits of her, among other things been sitting in a red armchair. Did Cézanne In 1887 along with the exhibition of Les XX in Brussels. In 1895 the ambitious gallery owner Ambroise Vollardexhibited work of Cézanne. Many supporters had Cézanne still not.
Paul Cézanne established themselves permanently In 1897 in Aix-en-Provence. After the universal exhibition of 1900 in Paris, on which three paintings by Cézanne were exhibited, he finally began to be known also abroad. His paintings hung in the Viennese Secession. From about 1901 Cézanne admired by younger artists such as Maurice Denis, Pierre Bonnard and Édouard Vuillard. They came to Aix to see him painting and for Sage advice.
Paul Cézanne died on 22 October 1906 to pneumonia in Aix-en-Provence. He seems to have been a surly, self-centered person, with few friends.
Salon d'Automne of 1907 on the works of Paul Cézanne exhibited are 56. Emile Bernard published in Le Mercure de France two parts with memories of Cézanne.
Influences[Edit][]
Cézanne was since childhood, since 1852 when they were sitting on the Collège Bourbon, friends with writer Émile Zola, but was later disagreement with him through the description that Zola gave by Cézanne and the dissolute life of the Impressionists in his novel L'Oeuvre (the masterpiece from 1886).
Cézanne works of Eugène Delacroix and Nicolas Poussin which hung in the Louvre . He also admired Gustave Courbet and Édouard Manet. Cézanne painted In 1888 along with Renoir. In 1894 he had contact withClaude Monet in Giverny. He also met the sculptor Auguste Rodin.
Work[Edit][]
[1][2]Heracles saves the dead Alcestis from the underworld; clipped from an early painting from 1867
The work of Cézanne is divided into four periods. The years listed are global, an exact dating of the paintings of Cézanne is missing usually.
Romantic period[Edit][]
The paintings from 1865-1870, from the early 'romantic' period are extremely personal, individualistic work. Cézanne used violent and bizarre fantasies in hard, gloomy colors, usually "earth tones" (see the example of Herakles).
Impressionist period[Edit][]
In the period from the beginning of 1870 he painted in Impressionist style, which he however made use of predominant areas in his composition.
Constructive style[Edit][]
[3][4]The card players from 1890 – 92 in constructive painting style, Musée d'Orsay
In the period from about 1880 to about 1890 he painted in a constructive style, with parallel and powerful strokes of his brush (see the example of The card players). In this period he painted also landscapes, among other of his stay by July 1878 to March 1879 in L'Estaque near Marseille, for example rock landscape at l'Estaque, 1879-1882 in the Museu de Arte de São Paulo and the sea at l'Estaque, 1878-1879 in the Musée Picasso in Paris. He still lifes and portraits.
Last period[Edit][]
[5][6]Bathing women, Philadelphia Museum of Art
In the last period, from about 1888 to 1906, in which also having moved to Aix-en-Provence, Cézanne worked in 1897 to fell several large paintings with naked bathing women.
He also made some paintings of card players, such as the paintings The card players 1890-1892 that hangs in the Metropolitan Museum of Art in New York and The card players from 1893-1896 in the Musée d'Orsay in Paris.
He also painted often Mont Sainte-Victoire mountain near his home (this mountain also appears on the painting of Herakles to stand). In 1901 Paul Cezanne bought a country estate North of Aix where he had his Studio. From his atelier Cézanne could see this mountain, as well as the intermediate Valley. Between 1902 and 1906, the mountain in much work back. He observed him and tried out the shapes and colors to decipher the deeper meaning of nature. See Montagne Sainte-Victoire (Paul Cézanne) .
In later years, Cézanne himself to painting still lifes, especially the many images of a fruit Bowl with very impressive by the powerful use of colour and texture of the fruit.The still lifes in the paintings appear realistic, but there are special effects that make the work much more powerful than a purely realistic image can do. The ones where the fruit on lies are often tilted forward. It seems the table often broken by a vertical element such as a bottle (see the example of the still life). In this last phase of its development is the paint area lighter.
Paul Cézanne also painted several self-portraits.
List of paintings[Edit][]
Cézanne made about 950 oilpaintings and watercolorsby the 650. Some of his paintings:
- Copy by Cézanne in the Louvre of Repas chez Simon Paolo Veronese 's 1860-1870
- Achille Emperair, peintre, (ca. 1868), oil on canvas, 200x210 cm, Musée d'Orsay, Paris
- Nature morte à la bouilloire, (ca. 1869), oil on canvas, 64, 5x81 cm, Musée d'Orsay, Paris
- La Pendule noire, (1869-70), 54x73 cm., private collection
- Pastoral ou l'Idylle, (1870), oil on canvas, 65x81 cm, Musée d'Orsay, Paris
- La Maison du pendu, (1873)
- House of the hanged man, (ca. 1873-1874), Musée d'Orsay, Paris
- Self portrait, (1873-1874), oil on canvas, 64x53 cm, Musée d'Orsay, Paris
- Une moderne Olympia, 1873-1874, oil on canvas, 46x55 cm, Musée d'Orsay, Paris
- Three bathing women, 1874-1875, oil on canvas, 19x22 cm, Musée d'Orsay, Paris
- Self portrait with pet, 1875, oil on canvas, 53x38 cm, Hermitage, St. Petersburg
- 'The sea in l'Estaque, 1876, oil on canvas, Zurich
- The temptation of St. Anthony, 1875-1877, oil on canvas, 47x56 cm, Musée d'Orsay, Paris
- Portrait of Victor Chocquet, 1877, oil on canvas, 46x38 cm, Columbus Museum of Art, Columbus (Ohio)
- Madame Cézanne au fauteuil rouge, (1877), oil on canvas, 72, 5x56 cm, Museum of Fine Arts, Boston
- Biscuits and fruit bowl, (ca. 1877), oil on canvas, private collection in Japan
- Apples, (1877-1878), oil on canvas, Fitzwilliam Museum, Cambridge
- Le petit pont ou Le pont de Maincy, (1879), oil on canvas, 58, 5x72, 5 cm, Musée d'Orsay, Paris
- Self-portrait with Hat, (ca. 1879-1882), oil on canvas, 51x65 cmArt museum Bern in Bern
- Cour de ferme à Auvers, (1879-80), 65 x 54 cm., Musée d'Orsay, Paris
- Pommes et biscuits, (1879-1882), oil on canvas, 46x55 cm, Musée de l'Orangerie, Paris
- Plateau de la montagne Sainte Victoire, (1882-1885), oil on canvas, 60x73 cm, Pushkin museum, Moscow
- L'Estaque, vue du golfe de Marseille, (1882-1885), oil on canvas, 56x47 cm, private collection
- Vase de fleurs et pommes, (1883-1887), oil on canvas, 65x81 cm, Musée d'Orsay, Paris
- L'aqueduc, (1885-1887), oil on canvas, 92x73 cm, Pushkin museum, Moscow
- Marronniers et ferme du Jas de Bouffon, (1885-1887), oil on canvas, 65x81 cm, Pushkin museum, Moscow
- Pont sur la Marne à Créteil, (1888), oil on canvas, 71x90 cm, Pushkin museum, Moscow
- La table de cuisine (Nature morte au panier), (ca. 1888), oil on canvas, 65x81 cm, Musée d'Orsay, Paris
- Mardi Gras, (1888), oil on canvas, 102x81 cm, Pushkin museum, Moscow
- Harlequin, (1888-1890), oil on canvas, 100 x 65 cm, National Gallery of Art, Washington D.C.
- Madame Cézanne sur une chaise jaune (1888-1890), oil on canvas, 81x65 cm, Art Institute of Chicago, Chicago
- Les Joueurs de cartes, (1890-1892), oil on canvas, 47, 5x57 cm Musée d'Orsay, Paris
- The bathers, (1890-1892), oil on canvas, 60x82 cm, Musée d'Orsay, Paris
- Femme à la cafetière, (1890-1894), oil on canvas, 130, 5x96, 5 cm, Musée d'Orsay, Paris
- The card players, (1890 and 1895), oil on canvas, 47, 5x57 cm, Musée d'Orsay, Paris
- The basket of apples, (1893), oil on canvas, 65x80 cm, Art Institute of Chicago, Chicago
- Le Garçon au gilet rouge, (1893-1895), oil on canvas, 81 cm, 2x65, private collection
- Madame Cézanne dans un fauteuil rouge, 1895
- Oignons et bouteille (Nature morte aux oignons), (1895-1900), oil on canvas, 58, 5x72, 5 cm, Musée d'Orsay, Paris
- Joachim Gasquet, (1896-1897), oil on canvas, 65 x 54 cm, Narodni Gallery, Prague
- Paysan à la blouse bleue, (1895-1900), oil on canvas, 81x65 cm, Christie's, London
- Pommes et oranges, (1895-1900), oil on canvas, 74x93 cm, Musée d'Orsay, Paris
- Nature morte aux oignons, (1895-1900), oil on canvas, 63x80 cm, Musée d'Orsay, Paris
- Fumeur accoudé, (1895-1900), oil on canvas, 92x73 cm, Pushkin museum, Moscow
- Oignons et bouteille (Nature morte aux oignons), (1895-1900), oil on canvas, 58, 5x72, 5 cm, Musée d'Orsay, Paris
- Le fumeur, (1895-1900), oil on canvas, 92x73 cm, Pushkin museum, Moscow
- Le rocher rouge, (1900), oil on canvas, 92x68 cm, Musée de l'Orangerie, Paris
- Le château noir, (1904-1906), oil on canvas, 73x92 cm, Musée d'Orsay, Paris
- Montagne Sainte Victoire, (1906), oil on canvas, 81x65 cm, private collection
- Rocher de Bibemus, (1900-1904), oil on canvas, 65x64 cm, Musée d'Orsay, Paris
- La Montagne Sainte-Victoire et le Château Noir, (1904-1906) Musée Faure, Aix-les-Bains, France
Self Portraits[Edit][]
Paul Cézanne painted a number of self-portraits. This he painted mainly in the second half of the nineteenth century, at a time when the photography yet (almost) did not exist.
Up to the self portraits of Cézanne include:
- Self Portrait (1862-1864), oil on canvas, 47x37 cm, private collection, Paris
- Self Portrait (1873-1874), oil on canvas, 64x53 cm, Musée d'Orsay, Paris
- Self Portrait (1879-1882), oil on canvas, 27x34 cm, Tate Gallery, London
- Self Portrait (1879-1882), oil on canvas, 24x33 cm, private collection
- Self-portrait with Hat (1879-1882), oil on canvas, 51x65 cm, Kunstmuseum Bern, Bern
- Self-portrait at the age of 40, (1880-1881), oil on canvas, 15x26 cm, Louvre, Paris
- Self Portrait (1880), oil on canvas, 26x15 cm, Musée d'Orsay, Paris
- Self Portrait (1880-1881), oil on Panel, 47x57 cm, place unknown
- Self Portrait (ca. 1882), oil on Panel, 46x38 cm, Pushkin Museum, Moscow
- Self-portrait in a Casquette[1] (ca. 1872), Hermitage, St. Petersburg
- Self portrait with pet (ca. 1875), oil on canvas, 53x38 cm, Hermitage, St. Petersburg
- Self-portrait for reddish label background (ca. 1875), oil on canvas, 66x55 cm, Musée d'Orsay, Paris
- Self-portrait with Hat (1879-1880), oil on canvas, 65x51 cm, Kunstmuseum Bern, Bern
- Self portrait with bowler hat (1883-1885), oil on canvas, 34x41 cm, private collection
- Self portrait with bowler hat (1883-1887), oil on canvas, 35, 5x44, 5 cm, Ny Carlsberg Glyptotek, Copenhagen
- Self-portrait with palette (1890), oil on canvas, 73x82 cm, private collection Bührle in Zurich
- Self-portrait with beret (1898-1900), oil on canvas, 63, 3x50, 8 cm, Massachusetts Museum of Arts, Boston