Ultimate Pop Culture Wiki

We're looking to revitalize this wiki! For more information, click here.

READ MORE

Ultimate Pop Culture Wiki
Advertisement
in: Pages with non-numeric formatnum arguments, Pages containing cite templates with deprecated parameters, CS1 French-language sources (fr),
and 27 more

Evangelion: 3.0+1.0 Thrice Upon a Time

Sign in to edit

Evangelion: 3.0+1.0 Thrice Upon a Time
Japanese theatrical release poster
Japaneseシン・エヴァンゲリオン劇場版 :𝄂
HepburnShin Evangerion Gekijōban :𝄂
LiterallyNew Evangelion Theatrical Edition :𝄂
Directed by
Screenplay byHideaki Anno
Based onNeon Genesis Evangelion 
by Hideaki Anno
Produced by
  • Hideaki Anno
    Tomoyuki Ogata
StarringMegumi Ogata
Megumi Hayashibara
Yuko Miyamura
Maaya Sakamoto
Akira Ishida
Kotono Mitsuishi
CinematographyToru Fukushi
Edited byEmi Tsujita
Music byShirō Sagisu
Production
company
Distributed byToho
Toei Company Ltd.
Release dates
  • March 8, 2021 (2021-03-08)[1]
Running time
155 minutes
CountryJapan
LanguageJapanese
Box office¥10.22 billion[2] ($92.7 million)

Evangelion: 3.0+1.0 Thrice Upon a Time (Japanese: シン・エヴァンゲリオン劇場版 :𝄂 Hepburn: Shin Evangerion Gekijōban) is a 2021 Japanese animated science fiction film[n 1] written and directed by Hideaki Anno and produced by Studio Khara. It is the fourth and final film in the Rebuild of Evangelion film series, part of the Neon Genesis Evangelion franchise.

After a protracted development and multiple delays, Thrice Upon a Time was released on March 8, 2021,[1] to positive reviews and became the highest-grossing film of the franchise. It was released internationally on August 13, 2021 via the Amazon Prime Video streaming service.

Plot[]

In Paris, a team from the Wille organization, led by Maya Ibuki, works on a system designed to restore the city to its previous state. Upon being attacked by Nerv forces, they are defended by the Wunder fleet and Mari Illustrious Makinami in Unit-08. Mari defeats the attackers, and the Wille team restores Paris.

Asuka Shikinami Langley, Rei Ayanami and Shinji Ikari, still despondent, are walking across the outskirts of Tokyo-3. They arrive at a settlement of survivors, and encounter Toji Suzuhara, Hikari Horaki and Kensuke Aida, now adults. Toji is a doctor and has a child with Hikari, while Kensuke is a technician, and all are friendly to Shinji. Asuka expresses frustration with Shinji, force-feeding him. As Shinji slowly recovers, Rei explores the village and settles down, working as a farmer. Shinji meets Ryoji Kaji, the son of Misato Katsuragi and the late Ryoji Kaji, who died averting Third Impact. Rei requires constant exposure to LCL and cannot maintain herself, decomposing in Shinji's presence.

Wunder arrives to pick up Asuka, and Shinji decides to go with her, despite protests from the crew. Shinji is placed in isolation. Meanwhile, Kozo Fuyutsuki, distressed over Shinji's treatment by Gendo Ikari in forcing him to experience the same loss as him, helps Gendo restart Unit-13. In response, Wunder heads to Antarctica. Before the mission, Asuka admits her feelings for Shinji, recognizing he is growing up.

Wunder is attacked by three Nerv ships and a swarm of EVA units. Asuka and Mari sortie and move to destroy Unit-13 before it can reactivate. However, Unit-02 refuses to attack Unit-13, forcing Asuka to remove her eyepatch, revealing the Ninth Angel contained within, converting Unit-02 into an Angel. Unit-13 overpowers and absorbs Unit-02 according to Gendo's plan. Moments before being absorbed, Asuka is approached by her "original", revealing she is a clone of the Shikinami series. Meanwhile, the Wunder is attacked by a new EVA, Unit-09A.

In the Nerv vessel restraining the Wunder, Misato and Ritsuko Akagi confront Gendo. Ritsuko shoots him to no effect as Gendo has used the Key of Nebuchadnezzar to transcend humanity. Gendo reveals that the purpose of the Shikinami and Ayanami clones is to enact the Human Instrumentality Project, and enters Unit-13. A determined Shinji asks Misato to let him pilot Unit-01. Sakura and Midori Kitakami try to stop Shinji, but Misato protects him and is shot in the process. Misato apologizes to Shinji, saying that she was wrong to blame him and will take responsibility for his actions. Mari takes Unit-08 and merges it with Units 09A through 12. Inside Unit-01, the original Ayanami clone appears before Shinji, apologizing for not being able to spare him from having to get into an EVA, but Shinji says it is alright.

Gendo and Shinji fight in a surreal "Anti Universe", and Gendo shows Shinji an "imaginary Evangelion", a "Black Lilith". Shinji meets Gendo, seeing a vision of his past experiences, including how Yui's loss traumatized him. As a result, Gendo wanted to initiate an "Additional Impact" for a chance to reunite with Yui. Meanwhile, Misato evacuates the crew of the Wunder and sacrifices herself and the ship to create the "Lance of Gaius", which gives Shinji the power to rewrite the world. Shinji talks with and provides closure to Gendo; to Asuka, returning her feelings; and to Kaworu Nagisa, revealing the existence of a cycle the cast is trapped in. Kaworu also talks with the elder Kaji, who helps him understand that his own happiness should not be tied to Shinji's.

Shinji says farewell to Rei, deciding upon a complete reset of the world, a "Neon Genesis", without Evangelions. Gendo and Yui sacrifice themselves to spare Shinji from needing to do so himself, which turns all the Failures of Infinity back into their original human forms and restores the world. The Children are all present as adults at a train station. Shinji leaves the station with Mari.

Cast[]

Main article: List of Neon Genesis Evangelion characters
Character Japanese English
Shinji Ikari Megumi Ogata Spike Spencer
Misato Katsuragi Kotono Mitsuishi Allison Keith
Gendo Ikari Fumihiko Tachiki John Swasey
Asuka Langley Shikinami Yūko Miyamura Tiffany Grant
Sakura Suzuhara Miyuki Sawashiro Felecia Angelle
Rei Ayanami (tentative name) Megumi Hayashibara Amanda Winn-Lee
Mari Illustrious Makinami Maaya Sakamoto Deneen Melody
Ritsuko Akagi Yuriko Yamaguchi Mary Faber
Kaworu Nagisa Akira Ishida Daman Mills
Rei Ayanami Megumi Hayashibara Amanda Winn-Lee
Toji Suzuhara Tomokazu Seki Brett Weaver
Kensuke Aida Tetsuya Iwanaga Alejandro Saab
Hikari Suzuhara Junko Iwao Kimberly Yates
Maya Ibuki Miki Nagasawa Amy Seeley
Kozo Fuyutsuki Motomu Kiyokawa Michael Ross
Ryoji Kaji Kōichi Yamadera Sean Burgos
Shinji Ikari (adult) Ryunosuke Kamiki Spike Spencer
Midori Kitakami Mariya Ise Bijou Vann
Shigeru Aoba Takehito Koyasu Jaxon Lee
Makoto Hyuga Hiro Yuuki Joe Fria
Yui Ikari Megumi Hayashibara Amanda Winn-Lee
Ryoji Kaji (son)[*] Kōki Uchiyama
Koji Takao Akio Otsuka
Hideki Tama Anri Katsu
Sumire Nagara Sayaka Ohara

^ New character

Production[]

Early development and delays[]

The film was announced alongside Evangelion: 3.0 You Can (Not) Redo for release in 2008 as the final part of the Rebuild series under the working title Evangelion: Final. After delays of the first three films, Evangelion: Final was expected for release in 2015.[3] In 2014, director and producer Hideaki Anno announced that due to other commitments, the film would be further delayed to an unknown date.[4] Following the troubled production of the third film, director and producer Hideaki Anno became depressed and stated publicly in 2015 that he could not work on another film.[5] As part of his recovery, Anno had also worked on Studio Ghibli's The Wind Rises under his mentor Hayao Miyazaki.[6][7] Toho (which co-distributes the film in Japan with Toei) also approached Anno with an offer to direct a reboot of its Godzilla film series, Shin Godzilla, which also contributed to the delay on 3.0+1.0.[8] Financial reasons also played a part. In 2014, Anno's Studio Khara loaned his former company Studio Gainax ¥100 million ($916,400). In 2016, Anno filed a claim for debt collection, fearing not only for the return of the money but also because of Gainax selling production materials to third parties,[9][10] after a precedent of other sales of intellectual property without informing him.[11] This was part of several legal issues surrounding Gainax and Evangelion.[12]

After a formal apology from Anno, animation director Takeshi Honda stated that the last film had resumed development after the production of Shin Godzilla ended in late 2016,[13][14][15] with Studio Khara tweeting on April 5, 2017, that development was going smoothly.[16] In May 2018, the studio put out a job listing for animation staff to work on 3DCG, VFX, and 2D animation starting on June 30, 2018.[17] Animation was going through the final check by October 2, 2020.[18] Dialogue recording wrapped on November 19, 2020.[19] On December 16, 2020, Studio Khara announced that compositing and editing work had finished.[20] In 2019 the film was scheduled for a June 27, 2020 release date but received two delays due to concerns over the COVID-19 pandemic, first scheduled for a January 23, 2021 release,[21] before being released on March 8, 2021.[22]

Development[]

Anno was very reluctant to return to work on the film in 2016.[23] In 2018, Anno had asked for the opinion of voice actors like Megumi Ogata (Shinji) on how to move the plot forward after 3.0.[24][25] Anno felt he could no longer understand Shinji and by now his current self was closer to Gendo than Shinji, and needed Ogata's input on how Shinji could recover after the events of 3.0. Anno felt that at that point the only people who could understand Shinji's feelings were Ogata herself and his personal assistant, Ikki Todoroki.[26] Anno himself had intended to go to Paris for Japan Expo 2019, but the film's continuing delays in production prevented him. Anno had often visited the film's music composer Shirō Sagisu, who lives half the year in Paris, and wished to pay homage to the city in the opening 10 minutes of the movie,[27] entitled AVANT1 ("before" in French), seeking to surpass his earlier depiction in Nadia: The Secret of Blue Water.[25] At the event, Ogata also recounted Anno had asked what ending she preferred "as Shinji".[25] AVANT1+2, including a further 2 minutes of the opening sequence, was also streamed on Khara's YouTube channel and Japanese Amazon Prime Video for free for two weeks.[28]

Dialogue for Parts A and B, set after AVANT, started recording in March 2019.[29][30] As there were several changes to the plot, many voice actors had to come back and record lines again. In 2020, due to the pandemic restrictions, production slowed down further and recording was mostly done by the voice actors separately as many dozens of takes were necessary, and they organized themselves through a Line group. This created a bond between the cast that was unprecedented in previous productions.[24][31][32][33] At the end of recording, Anno thanked the cast for their contributions. Yūko Miyamura, who played Asuka, was instructed to treat her character as completely separate from the series' Asuka Langley Soryu,[33][34] and the last thing asked of her was to write the character's full name in cursive herself to be used in the movie. She had lived in Australia for the past two decades, but was still unsure of how to write "Langley". Miyamura expressed her surprise at Anno's behavior near the end of production, in contrast to his behavior during the making of End of Evangelion: "Anno-san is amazing. He has become an adult".[32][35]

Anno sought to bring in new talent and people outside the usual Evangelion core crew, like Darling in the Franxx creator Atsushi Nishigori, a protégé of his, while other core staffers like chief editor Masayuki largely stepped down in order to allow new talents to gain more experience.[36] In addition, the series' original character designer, Yoshiyuki Sadamoto, has had diminishing involvement since 3.0, and the new character designs are mostly done by Hidenori Matsubara. Anno had long stated his wish to revitalize the anime industry,[37][38] and saw the sponsorship of new creators as a prime way of achieving this, as well as the promotions of events backed by Studio Khara like the Japan Animator Expo.[39] Director Mahiro Maeda recounted Anno wanted him to figure out specific details of the plot on his own when asked. Similarly to production in the series,[40][41][42] Anno would take ideas from staffers but have the final word in plot decisions. Anno had also been an advocate of employing new and innovative animation technologies,[43] combined with extensive use of motion capture and computer-generated imagery, and employed them in the film.[36] Maeda and others noted nonetheless that Anno seemed to be directing the film more like a live action film than animation, including in the way he directed the voice actors, taking cues from theatre techniques,[44] after his previous experience outside Evangelion, despite the staff's own limited experience, something he had previously attempted in Cutie Honey.[45] He thought Anno "wanted to get out of here the most", but expressed his feelings in film sincerely.

Director Kazuya Tsurumaki details Anno wanted to try a new process for the film. Instead of first creating storyboards and then developing the animation based on them as is traditional, Anno proposed to first draw the animation cels and then draw the scenes from them. This technique was generally referred to by staff as "pre-visualization".[46] He was once more inspired from the usual process in live action, where scenes are first shot from multiple angles and then stories are created and then selected during editing. The latter half of the film, however, progressively returned to the traditional anime style.[47] Tsurumaki noted the original intention was that "the first 80%" of the Rebuild series would be a "compilation" of the original anime series, and the changes would only start with the last film, in keeping with earlier comments in 2006 by producer Toshimichi Ohtsuki regarding the intention that only the ending would be a major departure from the series, as staff felt End of Evangelion could not receive a sequel,[48] and the Rebuild movies were not going to be "metaphysical" like the original anime, but rather "oriented towards entertainment".[49] This eventually changed, and major changes started happening as early as Evangelion: 2.0 You Can (Not) Advance.[50] He also noted that the previously stated goal of "destroying Evangelion" through the character of Mari was entrusted to an external party. Anno would ask the opinion of many parts of staff, including those not involved in the actual film like office staff for their opinions on several nuances.[51] Anno's wife Moyoco Anno provided early designs for some characters.[52] Studio Ghibli also provided assistance to scenes set in the survivor's village.[53] For the village itself, Khara had a box model custom-built to orientate the artists, and Anno personally adjusted it to the smallest details like individual house layout, road with and utility posts to make it as realistic as possible.[54][55][56] Staff consulted with multiple professionals[57] and conducted research like sky-diving for maximum accuracy.[58]

A making-of documentary aired on Japanese broadcaster NHK in March 22, 2021, with the crew following production for 1214 days.[59] BS Japan also broadcast an extended version of the documentary on April 29, 2021, totaling 100 minutes of runtime, featuring unused footage.[60] Amazon Prime Video included the extended version of documentary in its international release of the film in August.[61] When production started in 2016, Anno initially intended to not involve himself much in the film, wishing to delegate most of it to his directors, particularly Tsurumaki, generally considered Khara's second-in-command,[39][62] but as the release date approached with mounting production problems he progressively took more control and took on more tasks directly, also driven by his perfectionism. Maeda was also not initially serving as a director, but was brought in the middle of production.[63] Kim Morrisy of Anime News Network described it as tumultuous: "There were several occasions shown when he decided that the work he had done at the time was insufficient and would scrap it entirely. The [final] D part of the script was eventually completed in early 2019, at the latest possible stage it could have been done to meet the deadline."[64][65]

In the documentary, Anno is depicted as frequently late or absent from the studio, or would often stay overnight adjusting individual scenes he was unsatisfied with. Part A had been rewritten 40 times due to the difficulty staff had in depicting it, and at one point Anno was so lost on how to resolve the storylines he considered restarting it from scratch after nine months of work. Anno told the documentary crew he wouldn't miss working on the franchise and said everything he needed to, but felt finishing his work remained a priority, even at the expense of his well-being. He told Ogata later at post-production that he'd indeed miss it.[26] Hayao Miyazaki described Anno as "one who sheds blood for his films". Upon finishing production, Anno preferred to immediately start work on a script for a new production while his staff was watching the first screening together.[66] Gainax co-founder Toshio Okada criticized the documentary as "sloppy" and "propaganda" trying to make Anno look better, claiming Anno's live-action approach in fact took inspiration from Hiroyuki Yamaga's work in Royal Space Force: The Wings of Honnêamise instead of being sui generis as the documentary implied,[67] and Anno noted the crew was in fact not present during the highly intense production of Part D for several months, nor did it cover him thanking the staff at the end.[47]

On March 28, 2021, the cast was fully reunited for the first time in 14 years and held a stage greeting, commenting on the film and their bond to the characters.[31][68][69] On April 12, 2021, directors Anno, Tsurumaki and Maeda, as well as Ogata, held another stage greeting.[70][71][72] On June 26, 2021, Anno held a live stream on singer Hikaru Utada's Instagram page, and debated the film.[73] On June 27, 2021, another cast greeting was held. Mari's voice actress Maaya Sakamoto explained she had been absent from the previous events because she felt apprehensive over the details she knew about Mari's character that Anno told her, but refused to share them: "I will take secrets to my grave".[74] A last stage greeting was held on July 11, 2021. Anno felt he had now done everything he could with anime, and accordingly Khara denied reports that he was working on a reboot of a popular animation series.[75] He also noted he initially attempted a shorter two hour runtime, but had to extend it.[76]

Anno had originally intended on making a new Evangelion story since 2000[77] and has intended to open up the franchise in the future to new creators and turn Eva into a "new Gundam", using the Rebuilds as a foundation for this,[48] but 3.0+1.0 is intended to be his final Evangelion work.[78][79][80] The Animator Expo already featured three independent works based on the franchise: Evangelion – Another Impact[81] and Neon Genesis IMPACTS, as well as until You come to me, a short film intended to showcase the talent of younger Khara animators, not as an official trailer.[82] In an interview in August 2021, Anno stated other parts of the franchise and story might be revisited later.[83][84] Staff also commented on doubts over this being the "end of the story".[85]

Music[]

On December 9, 2020, it was announced that the theme song will be "One Last Kiss". The song, performed by Hikaru Utada and co-produced by Utada and A.G. Cook, was scheduled to be released for digital download on January 24, 2021, and as an extended play CD and LP record featuring remastered versions of the previous Rebuild of Evangelion theme songs on January 27, 2021.[86] It was released alongside the film on March 9, 2021, with a planned international release for summer 2021.[87] Utada noted this was the first time they wrote the song's lyrics based on reading a finished version of the film's script, instead of simply skimming over early rough drafts.[88] Anno also directed the music video for the song.[89]

A soundtrack album, titled Shiro Sagisu Music from "Shin Evangelion", was scheduled be released on February 10, 2021,[90] but was also delayed due to the delay of the film.[91] It was released on March 17, 2021.[92] The 3-disc score utilized several revamped tracks from Sagisu's previous works for Anno, like Nadia: The Secret of Blue Water and Kare Kano, as well as featuring cover versions of "VOYAGER ~ Hizuke no Nai Bohyou" by Megumi Hayashibara, originally written and performed by Yumi Matsutoya for 1984's Bye-Bye Jupiter, and a cue from 1977's The War in Space, originally composed by Toshiaki Tsushima.[93]

Release[]

On July 6, 2019, Khara screened the first ten minutes of the film on Japan Expo in Paris, Anime Expo in Los Angeles and CCG Expo 2019 in Shanghai.[94] The film was originally scheduled for release on June 27, 2020.[95]

In April 2020, it was announced that the film had been removed from the schedule due to concerns regarding the COVID-19 pandemic, and the film was later rescheduled for release on January 23, 2021.[96][97] The theatrical release poster was revealed shortly afterwards with the tagline "Bye-bye, all of EVANGELION.", indicating that this would likely be Anno's final Evangelion-related project.[98] Anno released a statement via Studio Khara's Twitter in October apologizing for the delay while confirming the film was near completion. Khara suggested the run time of the finished film could be over two hours, with the "D-part" clocking in at 41 minutes. They also reported that as of October 2 the film was undergoing a "rush check", a final check of the animation before editing.[99] On January 14, 2021, the film was removed from the release calendar again.[91] On February 16, 2021, it was reported that the film would be 154 minutes long, making it the longest film in the Rebuild tetralogy and one of the longest animated feature films ever, behind the films In This Corner (and Other Corners) of the World, Final Yamato, The Disappearance of Haruhi Suzumiya, and Revival of Evangelion.[100][101]

On February 26, Utada Hikaru's staff account on Twitter reported that the film's feature song "One Last Kiss" would be released on March 8, 2021, with a link to their website with more information confirming a new release date for the film of March 8, 2021.[102] This was also confirmed on Studio Khara's website, along with a runtime of 155 minutes.[1][103]

Updated release[]

An updated version of the film, titled Evangelion: 3.0+1.01 Thrice Upon a Time, was released in Japanese theaters on June 12, 2021. This version features updated cuts of various scenes while not changing the overall story of the film.[104] It also accompanied the distribution of a 36-page booklet called Eva-Extra-Extra, including non-canon illustrations by staff and a prequel manga set before the events of the previous film, Evangelion: 3.0 You Can (Not) Redo, called Evangelion: 3.0 (-120min.), written by director Kazuya Tsurumaki under Anno's supervision.[105] The manga was Anno's initiative, and began production on April 11.[106]

Internationally, Amazon Prime Video acquired exclusive streaming rights to the film; it was released in worldwide on August 13, 2021, excluding Japan.[107][108] However, on July 20, 2021, Amazon Prime Video announced that it will also stream the film in Japan on the same day as its international release.[109] It featured full re-dubbings of the previous Rebuild films, including several voice actors from the A.D. Vision and Manga Entertainment localizations of the original series and films, in place of the mostly new cast used in the Funimation adaptations of the Rebuild series and Netflix's adaptation of the series. Like Netflix's release, it also included a full re-translation by Khara's in-house translator, Dan Kanemitsu.[110]

Reception[]

Japanese reception has been largely positive. The Asahi Shimbun released a series of reviews from Japanese academics and critics.[111][112] Hiroki Azuma praised the film as a "grand masterpiece". He considered that, although it outwardly looks like a science fiction film, it is in reality a confessional I-novel by Anno.[113] Akiko Sugawa praised the portrayal of its female characters.[114] Japanese aggregator site Eiga.com and others[115] praised the movie for fulfilling its promise of being easily approachable to a viewer not familiar with the original Neon Genesis Evangelion, reiterating its role as a stand-alone story, but also likening it to the series' status as a pop culture phenomenon in view of the many emerging analyses,[116] a view shared by the cast.[117] On aggregator site Filmmarks, the film attained the highest first-day satisfaction score in its history.[118]

Reviewers also noted the film's deeply divisive reception among Evangelion fans, with the ending proving particularly controversial.[119] Similarly to End of Evangelion, reviewers considered the film to have the theme of "moving into reality", but were divided on the effectiveness of its execution and the resolution of its plot lines.[120][121] Bunshun Online concluded that unlike the 1997 film, 3.0+1.0 did not intend to give viewers a mystery to solve, but to provide a more straight-forward answer.[122] Writers for Yahoo! Japan and others agreed on its distinctiveness from the previous work, reflecting a different cultural context and personal state of Hideaki Anno, speculating his time at Ghibli had greatly influenced him,[123] with a less multifaceted story[124] where Shinji's character had been completely "consumed" by Anno attempting to break the "Otaku curse" represented in-story by the "Curse of Evangelion",[125][115] and considered the ending could only be explained with background knowledge on Anno's life, and how this controversy would likely drive more heated discussion in the near future,[126] with fan backlash coming even at small subsequent statements by Anno[72] and other staff.[127] Anno had partly re-created his hometown of Ube as it existed during his youth for the ending scene, prompting tourism from fans to the town.[128]

In contrast to the negative receptions of its predecessor Evangelion: 3.0 You Can (Not) Redo, American critical reception has been extremely positive. As of August 2021, it holds a 100% score on review aggregator Rotten Tomatoes with eleven reviews.[129] According to Metacritic, which calculated a weighted average score of 84 out of 100 based on 5 critics reviews, the film received "universal acclaim".[130] Richard Eisenbeis of Anime News Network noted the film's close connections with End of Evangelion on a thematic and narrative level and praised its characterization, while also noting its different themes, but criticized its world-building, and also the lack of development given to Mari to justify her role in the plot.[131] Kyle McLain of IGN praised the film for having themes of maturity, hope and positivity, but disliked the final act as "inscrutable".[132] Matt Schley of The Japan Times shared his opinion, saying: "Thrice is not the charm for those hoping for a definitive, easy-to-understand ending for Evangelion. Like its predecessors, 3.0+1.0 raises more questions than it answers. Time is a circle."[133] Justin Harrison of The Spool called it "a deeply moving motion picture".[134] SoraNews24 expressed puzzlement at the ending, but noted the film is "complex, hits different people in different ways, and is something that immediately triggers a repeat-viewing reaction".[135] Crunchyroll's Daryl Harding noticed the film "goes pretty meta" and praised its direction, but repeatedly criticized the animation.[136] Otaquest's Chris Cimi noted the film builds an aesthetic that is meaningfully different from the series' "iconic visual language", to a point of contention: "The CG sure does look like CG".[137]

Box office[]

Anno stated his desire to see 3.0+1.0 break the ¥10 billion mark, which he considered would be a landmark for robot anime.[72] The film was released in Japan on March 8, 2021 earning ¥802,774,200 ($7,387,198) on its first day, outdoing its predecessor by 23.8%[138] and breaking the IMAX opening day record in Japan.[139] The film grossed ¥3,338,422,400 ($30,596,851) in its first week,[140] ranking #1 in Japan in its opening week.[141] In 21 days, the film sold 3,961,480 tickets and grossed ¥6,078,211,750 ($55,492,310) in Japan, outdoing 3.0's total earnings of ¥5.3 billion.[142] In 30 days, it surpassed ¥7 billion ($63.77 million), completing four weeks as #1 in Japanese box offices.[143] On May 8, it surpassed Shin Godzilla and became Anno's highest grossing film at ¥8.28 billion ($75.72 million).[144] With the 3.0+1.01 updated release on June 12, the film jumped back to top box office spot after spending a weekend out of the top 10 chart[145] and on June 15, exactly the 100th day since release, achieving a 960.5% increase,[146] reached ¥9 billion ($81.7 million).[147] On July 13, it was announced that the film has exceeded ¥10 billion, becoming the first ever film distributed by Toei to hit this box office milestone[148] and ending its theatrical run on July 21 pocketing ¥10.22 billion with an attendance number of 6.69 million people.[149] It also broke Amazon Prime Video's all-time high day-one view amount since its launch in Japan.[150]

References[]

Text was copied/adapted from Evangelion: 3.0+1.0 Thrice Upon A Time at EvaGeeks wiki, which is released under a Creative Commons Attribution-Share Alike 3.0 (Unported) (CC-BY-SA 3.0) license

  1. ↑ 1.0 1.1 1.2 "Final Evangelion Film Rescheduled to March 8 After 2 COVID-19 Delays". Anime News Network. Archived from the original on 2021-03-05. Retrieved February 26, 2021. {{cite web}}:
  2. ↑ Pineda, Rafael Antonio (July 22, 2021). "Final Evangelion Film Ends Run in Most Theaters With 6.69 Million Tickets Sold". Anime News Network. Retrieved 2021-07-22. {{cite web}}:
  3. ↑ "Magazine: Final Evangelion Film Slated for Fall-Winter 2015 With Utada Song". Anime News Network. https://www.animenewsnetwork.com/news/2014-12-26/magazine-final-evangelion-film-slated-for-fall-winter-2015-with-utada-song/.82629. 
  4. ↑ "Anno Jokes That 4th New Evangelion Film Might Be 4-6 Years After 3rd One". Anime News Network. 28 October 2014. Archived from the original on 18 February 2015. Retrieved 5 March 2015. {{cite web}}:
  5. ↑ "Evangelion creator Hideaki Anno opens up about his latest bout with depression, movie delays". Rocketnews. April 2, 2015. Archived from the original on June 29, 2017. Retrieved May 24, 2017. {{cite web}}:
  6. ↑ Hodgkins, Crystalyn (9 May 2013). "Newspaper: Evangelion's Hideaki Anno to Star in Ghibli's Kaze Tachinu Film". Anime News Network. Archived from the original on 2014-04-19. Retrieved 2021-04-09. {{cite web}}:
  7. ↑ Smith, Carly (August 28, 2014). "Hideaki Anno to Lead Anime Industry After Hayao Miyazaki | The Escapist". v1.escapistmagazine.com. Archived from the original on 2018-11-20. Retrieved 2021-04-09. {{cite web}}:
  8. ↑ "Hideaki Anno Blames Work On "Shin Godzilla" for "Evangelion: 3.0+1.0" Delay". Crunchyroll. September 29, 2016. Archived from the original on June 6, 2017. Retrieved May 24, 2017. {{cite web}}:
  9. ↑ "Anime firm of legendary director Anno suing former company for 100 million yen" (in en). Mainichi Daily News. December 2, 2016. https://mainichi.jp/english/articles/20161202/p2a/00m/0et/011000c. 
  10. ↑ "【庵野監督・特別寄稿】『エヴァ』の名を悪用したガイナックスと報道に強く憤る理由". ダイヤモンド・オンライン . Retrieved 2021-05-26. {{cite web}}:
  11. ↑ Harding, Daryl (December 30, 2019). "Hideaki Anno Denounces Links Between Him and Arrested Gainax President, Discusses Past With Anime Studio". Crunchyroll. Retrieved May 26, 2021. {{cite web}}:
  12. ↑ Ashcraft, Brian (June 23, 2017). "Gainax Loses Lawsuit, Must Pay Hideaki Anno's Studio $900,000". Kotaku. Retrieved May 25, 2021. {{cite web}}:
  13. ↑ "Hideaki Anno Apologizes for Delay on Final Evangelion Film". Anime News Network. Archived from the original on September 29, 2016. Retrieved October 8, 2016. {{cite web}}:
  14. ↑ "Evangelion Studio Khara Confirms Next Shin Evangelion Is in Production". Anime News Network. April 5, 2017. Archived from the original on April 5, 2017. Retrieved April 5, 2017. {{cite web}}:
  15. ↑ "Evangelion Animator: Final Evangelion Remake Film is in Progress". Anime News Network. November 17, 2016. Archived from the original on July 4, 2017. Retrieved May 24, 2017. {{cite web}}:
  16. ↑ "『シン・エヴァ』の打ち合わせ。鋭意制作中です！". Twitter. Archived from the original on July 29, 2017. Retrieved May 24, 2017. {{cite web}}:
  17. ↑ Dennison, Kara (May 24, 2018). "Studio Khara Puts out Call for "Eva" Animators". Crunchyroll. Archived from the original on December 29, 2020. Retrieved May 25, 2018. {{cite web}}:
  18. ↑ Harding, Daryl (October 4, 2020). "Director Hideaki Anno Asks Fans to Wait a Little Longer For Evangelion 3.0+1.0". Crunchyroll . Retrieved May 26, 2021. {{cite web}}:
  19. ↑ Mateo, Alex. "Evangelion's Final Film Finishes Dialogue Recording". Anime News Network. Archived from the original on December 29, 2020. Retrieved December 17, 2020. {{cite web}}:
  20. ↑ Pineda, Rafael Antonio. "Final Evangelion Film Wraps Compositing, Editing Work". Anime News Network. Archived from the original on December 29, 2020. Retrieved December 17, 2020. {{cite web}}:
  21. ↑ "Evangelion's Final Film Opens on January 23". Anime News Network. 15 October 2020. Archived from the original on 17 October 2020. Retrieved 15 October 2020. {{cite web}}:
  22. ↑ "Final Evangelion Film Rescheduled to March 8 After 2 COVID-19 Delays". Anime News Network. Archived from the original on 2021-03-05. Retrieved 2021-02-26. {{cite web}}:
  23. ↑ "庵野秀明監督、ネット中傷で「どうでもよくなった」。自死考えた過去も明かす。NHK番組に大きな反響（ハフポスト日本版）". Yahoo!ニュース . Archived from the original on 2021-04-10. Retrieved 2021-04-09. {{cite web}}:
  24. ↑ 24.0 24.1 "Megumi Ogata as Shinji Ikari". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q. 
  25. ↑ 25.0 25.1 25.2 "Japan Expo 2019 - Choses vues #9 : Evangelion marque de son empreinte les vingt ans de Japan Expo !". ActuaBD . June 6, 2019. Archived from the original on 2021-04-16. Retrieved 2021-04-09. {{cite web}}:
  26. ↑ 26.0 26.1 "「庵野さん、卒業おめでとう」緒方恵美が振り返る、庵野秀明と碇シンジとの25年｜最新の映画ニュースならMOVIE WALKER PRESS". MOVIE WALKER PRESS . Archived from the original on 2021-04-11. Retrieved 2021-04-09. {{cite web}}:
  27. ↑ "Japan Expo - L'anteprima di Evangelion 3.0+1.0". ScreenWEEK.it Blog . 2019-07-06. Archived from the original on 2020-09-27. Retrieved 2021-04-09. {{cite web}}:
  28. ↑ "Evangelion 3.0 + 1.0 12 Minute Preview out on Amazon Prime Japan". Otaku Tale. 2021-03-09. Archived from the original on 2021-04-13. Retrieved 2021-04-13. {{cite web}}:
  29. ↑ "New Shin Evangelion Film Begins Dialogue Recording". Anime News Network. Archived from the original on 2021-01-22. Retrieved 2021-04-13. {{cite web}}:
  30. ↑ Luster, Joseph (March 20, 2019). "Fourth Evangelion Anime Film's Dialogue Recording is Now Underway". Crunchyroll. Retrieved May 26, 2021. {{cite web}}:
  31. ↑ 31.0 31.1 "【イベントレポート】「シン・エヴァ」舞台挨拶、緒方恵美「今度は離れていく皆さんに『おめでとう』と」". コミックナタリー . Archived from the original on 2021-04-11. Retrieved 2021-04-09. {{cite web}}:
  32. ↑ 32.0 32.1 "『シン・エヴァ』宮村優子が振り返る、アスカとの25年 その"苦労"と"喜び"". クランクイン！- エンタメの「今」がわかる 映画＆エンタメニュースサイト . Archived from the original on 2021-04-09. Retrieved 2021-04-09. {{cite web}}:
  33. ↑ 33.0 33.1 Miyamura, Yuko (March 20, 2021). "MIYAMURA YUKO Corp". fanicon.net. Archived from the original on 2021-04-10. Retrieved 2021-04-09. {{cite web}}:
  34. ↑ "『シン・エヴァンゲリオン劇場版』宮村優子が語る、以前の苦しさを癒やしてくれた『新劇場版』シリーズの存在 | アニメイトタイムズ". animate Times . April 11, 2021. Archived from the original on 2021-04-11. Retrieved 2021-04-12. {{cite web}}:
  35. ↑ "「時代が、『エヴァ』と庵野さんを受け入れてくれた」宮村優子が振り返る、庵野秀明とアスカとの25年". MOVIE WALKER PRESS . April 9, 2021. Archived from the original on April 10, 2021. Retrieved April 10, 2021. {{cite web}}:
  36. ↑ 36.0 36.1 "Mahiro Maeda". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q. 
  37. ↑ "Interview with Hideaki Anno, Creator of *Evangelion*". Tokyo Otaku Mode. November 8, 2014. Archived from the original on 2021-04-12. Retrieved 2021-04-12. {{cite web}}:
  38. ↑ Miller, Evan (February 20, 2007). "Hideaki Anno Releases Statement About New Evangelion Movies". Anime News Network. Archived from the original on 2017-06-27. Retrieved 2021-04-12. {{cite web}}:
  39. ↑ 39.0 39.1 Cirugeda, Keven (November 20, 2015). "The Ultimate Guide to the Animator Expo". Anime News Network. Archived from the original on 2020-11-08. Retrieved 2021-04-12. {{cite web}}:
  40. ↑ Evangelion original. 1. Hideaki Anno, 秀明 庵野. 富士見書房. 1996. ISBN 4-8291-7321-1. OCLC 674836426. https://www.worldcat.org/oclc/674836426. Retrieved 2021-04-12. 
  41. ↑ Evangelion original. 2. Hideaki Anno, 秀明 庵野. 富士見書房. 1996. ISBN 4-8291-7322-X. OCLC 676220824. https://www.worldcat.org/oclc/676220824. Retrieved 2021-04-12. 
  42. ↑ EVANGELION ORIGINAL〈3〉. Hideaki Anno, 秀明 庵野. 富士見書房. 1996. Foreword. ISBN 4-8291-7323-8. OCLC 674428440. https://www.worldcat.org/oclc/674428440. Retrieved 2021-02-11. 
  43. ↑ Ashcraft, Brian (May 26, 2015). "Evangelion Creator Predicts The Death Of Anime". Kotaku Australia. Archived from the original on 2021-04-12. Retrieved 2021-04-12. {{cite web}}:
  44. ↑ "Kotono Mitsuishi as Misato Katsuragi". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. ASIN B08Y85RJ9Q. 
  45. ↑ "庵野秀明氏『エヴァ』舞台あいさつ初登壇の真意明かす ファンへ「お礼を言う最後のチャンス」（オリコン）". Yahoo!ニュース . Archived from the original on 2021-04-11. Retrieved 2021-04-12. {{cite web}}:
  46. ↑ Monthly Newtype. Japan: Kadokawa Shoten. 2021. 
  47. ↑ 47.0 47.1 "庵野秀明氏、NHK『プロフェッショナル』に"ダメ出し"「いい所に来てなかった」（オリコン）". Yahoo!ニュース . Archived from the original on 2021-04-11. Retrieved 2021-04-12. {{cite web}}:
  48. ↑ 48.0 48.1 "アニメがつまらなくなったのは、「新世紀エヴァンゲリオン」のせいである". Cyzo. November 2006. http://homepage3.nifty.com/mana/new-eva-siryou1.html. 
  49. ↑ "謎解けるか「真の完結編」エヴァンゲリオン再映画化". The Asahi Shimbun. September 13, 2006. Archived from the original on September 26, 2007. Retrieved July 31, 2021. {{cite web}}:
  50. ↑ "樋口 真嗣 interview" (in ja). ヱヴァンゲリヲン新劇場版：破 全記録全集. Ground Works. 2012. ISBN 978-4-905033-00-4. 
  51. ↑ "Kazuya Tsurumaki". Evangelion 3.0+1.0 Theatrical Pamphlet.. Japan. 2021. ASIN B08Y85RJ9Q. 
  52. ↑ "khara_inc2". Twitter. Archived from the original on 2021-04-19. Retrieved 2021-04-19. {{cite web}}:
  53. ↑ "スタジオジブリ STUDIO GHIBLI". Twitter. March 18, 2021. Archived from the original on 2021-04-13. Retrieved 2021-04-13. {{cite web}}:
  54. ↑ "Evangelion Staff Builds 1/45 Miniature Scale Recreation of Film's Setting". Anime News Network. Retrieved 2021-08-12. {{cite web}}:
  55. ↑ "khara_inc2". Twitter. Archived from the original on 2021-04-19. Retrieved 2021-04-19. {{cite web}}:
  56. ↑ "khara_inc2". Twitter. Archived from the original on 2021-04-19. Retrieved 2021-04-19. {{cite web}}:
  57. ↑ "khara_inc2". Twitter. April 20, 2021. Archived from the original on April 20, 2021. Retrieved April 21, 2021. {{cite web}}:
  58. ↑ "khara_inc2". Twitter . May 21, 2021. Retrieved May 22, 2021. {{cite web}}:
  59. ↑ Fujita, James (2021-03-12). "Hideaki Anno Special Will Air on NHK". OTAQUEST. Archived from the original on 2021-04-12. Retrieved 2021-04-09. {{cite web}}:
  60. ↑ "庵野秀明監督に密着した「プロフェッショナル」拡大版の放送が決定". ライブドアニュース . April 16, 2021. Archived from the original on 2021-04-17. Retrieved 2021-04-17. {{cite web}}:
  61. ↑ Loo, Egan (August 12, 2021). "Amazon Prime Video Lists Final Evangelion Film's English Dub Cast". Anime News Network. Retrieved 2021-08-14. {{cite web}}: CS1 maint: url-status (link)
  62. ↑ Cimi, Chris (2021-04-02). "Introducing... Kazuya Tsurumaki: Know the Creators #3". OTAQUEST. Archived from the original on 2021-04-12. Retrieved 2021-04-12. {{cite web}}:
  63. ↑ Schley, Matt (2021-03-23). "Hideaki Anno Bares His Soul in Eva 3.0+1.0 Documentary". Otaku USA Magazine. Archived from the original on 2021-03-24. Retrieved 2021-04-09. {{cite web}}:
  64. ↑ Morrisy, Kim (March 25, 2021). "NHK Documentary Captures Hideaki Anno's Creative Struggles on Final Evangelion Film". Anime News Network. Archived from the original on 2021-04-10. Retrieved 2021-04-09. {{cite web}}:
  65. ↑ Ashcraft, Brian (March 23, 2021). "Online Hate Took Evangelion Creator Hideaki Anno To A Dark Place". Kotaku. Archived from the original on 2021-04-09. Retrieved 2021-04-09. {{cite web}}:
  66. ↑ Hideaki Anno: The Final Challenge of Evangelion. NHK. 2021. https://www.amazon.com/gp/video/detail/B09C7KR4V3/?ref_=d6k_applink_bb_marketplace. 
  67. ↑ (in en) NHKの手抜き仕事で感動するな！プロフェッショナル仕事の流儀「庵野秀明スペシャル」はここが間違っている / OTAKING explains "Hideaki Anno", https://www.youtube.com/watch?v=Gkg0oc_kEUs, retrieved 2021-04-12 
  68. ↑ "「シン・エヴァンゲリオン劇場版」キャスト登壇舞台挨拶、全国の劇場へ生中継も". コミックナタリー . Archived from the original on 2021-04-10. Retrieved 2021-04-09. {{cite web}}:
  69. ↑ "「エヴァ」24年ぶりの舞台挨拶に声優集結 緒方恵美「最初で最後」". ライブドアニュース . Archived from the original on 2021-04-10. Retrieved 2021-04-09. {{cite web}}:
  70. ↑ "庵野秀明氏『エヴァ』舞台あいさつ初登壇の真意明かす ファンへ「お礼を言う最後のチャンス」（オリコン）". Yahoo!ニュース . Archived from the original on 2021-04-11. Retrieved 2021-04-11. {{cite web}}:
  71. ↑ "『シン・エヴァ』庵野秀明総監督、大ヒット御礼 ラストカット"あるポイント"に「気づいていただけると」（クランクイン！）". Yahoo!ニュース . Archived from the original on 2021-04-11. Retrieved 2021-04-11. {{cite web}}:
  72. ↑ 72.0 72.1 72.2 "「エヴァってロボットアニメなんですよ」 庵野秀明さんの発言、ファンに衝撃を与える". ハフポスト . 2021-04-11. Archived from the original on 2021-04-11. Retrieved 2021-04-12. {{cite web}}:
  73. ↑ "庵野秀明が宇多田ヒカルのインスタ生配信番組に出演、2人で公の場に出るのは初". コミックナタリー . June 26, 2021. Retrieved 2021-08-02. {{cite web}}:
  74. ↑ "坂本真綾、マリ役を理解する苦悩語る！庵野秀明監督からのヒントは「墓場まで持っていきます」｜シネマトゥデイ" (in ja-JP). シネマトゥデイ. https://www.cinematoday.jp/news/N0124375. 
  75. ↑ Antonio Pineda, Rafael (May 17, 2021). "Khara Denies Report of Evangelion Director Hideaki Anno Planning New Anime". Anime News Network. Retrieved 2021-08-02. {{cite web}}:
  76. ↑ "庵野秀明『エヴァ』完結に感無量！観客に深々とお辞儀｜シネマトゥデイ". シネマトゥデイ . July 11, 2021. Retrieved 2021-08-02. {{cite web}}:
  77. ↑ Evangerion shin gekijoban: Jo zenkiroku zenshu : Bijuaru sutoriban settei shiryoban.. Ikki Todoroki, 一騎 轟木. [Tokyo]: Kara. 2019. ISBN 9784905033189. OCLC 1121079437. https://www.worldcat.org/oclc/1121079437. Retrieved 2021-04-09. 
  78. ↑ Rivera, Renato (December 3, 2016). "Evangelion Creator Talks the Future of the Franchise". AnimeNow!. Archived from the original on December 9, 2016. Retrieved 2021-07-08. {{cite web}}:
  79. ↑ Seraki, Dimitri (2019-11-05). "Translation - 10 Years of Khara, interview with Hideaki Anno Part 2". Full Frontal. Archived from the original on 2021-01-20. Retrieved 2021-04-09. {{cite web}}:
  80. ↑ Gramuglia, Anthony (2021-01-13). "The Final Evangelion Movie Won't Be the End of the Franchise". CBR. Archived from the original on 2021-02-05. Retrieved 2021-04-09. {{cite web}}:
  81. ↑ "Video: 'Evangelion — Another Impact (Confidential) short". www.digitaljournal.com. 2015-02-07. Archived from the original on 2021-04-12. Retrieved 2021-04-12. {{cite web}}:
  82. ↑ "until You come to me. - 日本アニメ（ーター）見本市". 2015-01-11. Archived from the original on 2015-01-11. Retrieved 2021-05-26. {{cite web}}:
  83. ↑ Motamayor, Rafeel (August 7, 2021). "'Evangelion' Creator Hideaki Anno Reveals 'Evangelion 3.0+1.0' Might Not be the End". Collider. Retrieved August 7, 2021. {{cite web}}: CS1 maint: url-status (link)
  84. ↑ Solomon, Charles (August 6, 2021). "‘Evangelion’ Director Explains How He Finally Found His Ending" (in en-US). The New York Times. ISSN 0362-4331. https://www.nytimes.com/2021/08/06/movies/evangelion-hideaki-anno.html. 
  85. ↑ "「エヴァ」が終わった感覚がない――「シン・エヴァンゲリオン劇場版」碇シンジ役緒方恵美インタビュー". WebNewtype . May 21, 2021. Retrieved 2021-08-14. {{cite web}}: CS1 maint: url-status (link)
  86. ↑ "宇多田ヒカル 新曲「One Last Kiss」が『シン・エヴァンゲリオン劇場版』テーマソングに決定／本日より iTunesプレオーダー開始". Archived from the original on December 29, 2020. Retrieved December 9, 2020. {{cite web}}:
  87. ↑ "Hikaru Utada Official Website | NEWS". Hikaru Utada Official Website. Archived from the original on 2021-03-20. Retrieved 2021-04-09. {{cite web}}:
  88. ↑ Utada, Hikaru (April 2, 2021). "宇多田ヒカル". Twitter. Archived from the original on 2021-04-03. Retrieved 2021-04-12. {{cite web}}:
  89. ↑ "'One Last Kiss' by Hikaru Utada, Her Music Video Created by Hideaki Anno Was Received with Great Praise From the Fans". Anime News Network. Retrieved 2021-08-12. {{cite web}}:
  90. ↑ "劇中使用楽曲を収録した音楽集CD 「Shiro SAGISU Music from "SHIN EVANGELION"」 2021年2月10日発売決定！". Archived from the original on December 29, 2020. Retrieved December 14, 2020. {{cite web}}:
  91. ↑ 91.0 91.1 Hodgkins, Crystalyn (January 14, 2021). "Final Evangelion Film Delayed Again Due to COVID-19". Anime News Network. Archived from the original on January 14, 2021. Retrieved January 14, 2021. {{cite web}}:
  92. ↑ Prasek, Corey (2021-03-01). "Shiro SAGISU Music from 'SHIN EVANGELION' Dropping on 17 March". OTAQUEST. Archived from the original on 2021-03-01. Retrieved 2021-04-09. {{cite web}}:
  93. ↑ "New(S) | 鷺巣 詩郎 Shiro SAGISU Official Website". www.ro-jam.com. Retrieved 2021-06-03. {{cite web}}:
  94. ↑ "The First 10 Mins of the Final 'Rebuild of Evangelion' Film Will Screen at Anime Expo & Japan Expo". HYPEBEAST. Archived from the original on December 29, 2020. Retrieved June 28, 2019. {{cite web}}:
  95. ↑ Crystalyn Hodgkins (December 26, 2019). "Evangelion: 3.0+1.0 Anime Film Opens in Japan on June 27" (in en). Anime News Network. https://www.animenewsnetwork.com/daily-briefs/2019-12-26/evangelion-3.0-1.0-anime-film-opens-in-japan-on-june-27/.154794. 
  96. ↑ Rafael Antonio Pineda (October 15, 2020). "Evangelion's Final Film Opens on January 23". Anime News Network. Archived from the original on October 17, 2020. Retrieved October 15, 2020. {{cite web}}:
  97. ↑ "Evangelion: 3.0+1.0 Film Delayed Due to COVID-19 Concerns (Updated)". Anime News Network. April 17, 2020. Archived from the original on April 25, 2020. Retrieved April 17, 2020. {{cite web}}:
  98. ↑ "公式サイトTOPページ、スタッフクレジットを更新しました". Twitter. April 17, 2020. Archived from the original on October 17, 2020. Retrieved April 17, 2020. {{cite web}}:
  99. ↑ Dominguez, Noah (5 October 2020). "Evangelion Director Opens Up Regarding Final Film's Delay". Comic Book Resources. Archived from the original on December 29, 2020. Retrieved October 6, 2020. {{cite web}}:
  100. ↑ "The Disappearance of Haruhi Suzumiya Blu-Ray + DVD - Review". Anime News Network. December 6, 2011. Archived from the original on April 22, 2019. Retrieved February 16, 2021. {{cite web}}:
  101. ↑ "Final Evangelion Film Briefly Listed as 154 Minutes Long With G Rating". Anime News Network. February 16, 2021. Archived from the original on February 16, 2021. Retrieved February 16, 2021. {{cite web}}:
  102. ↑ "Hikaru Utada Official Website | NEWS". Hikaru Utada Official Website. Archived from the original on March 20, 2021. Retrieved February 26, 2021. {{cite web}}:
  103. ↑ "エヴァンゲリオン公式サイト News". www.evangelion.co.jp . Archived from the original on March 4, 2021. Retrieved February 26, 2021. {{cite web}}:
  104. ↑ https://twitter.com/evangelion_co/status/1401675267593080834
  105. ↑ "6月12日(土)より『シン・エヴァンゲリオン劇場版』ラストラン、感謝を込めて3つの大サービス！". www.evangelion.co.jp . June 7, 2021. Retrieved August 17, 2021. {{cite web}}: CS1 maint: url-status (link)
  106. ↑ "15年ぶりの漫画で、見たことのない「エヴァ」を描く／「シン・エヴァンゲリオン劇場版」特典冊子を描く監督・前田真宏インタビュー". WebNewtype . July 9, 2021. Retrieved August 17, 2021. {{cite web}}: CS1 maint: url-status (link)
  107. ↑ Frater, Patrick (July 1, 2021). "Anime Hit 'Evangelion: Thrice Upon a Time' Heads to Amazon Prime Video". Variety. Retrieved July 1, 2021. {{cite web}}:
  108. ↑ Mateo, Alex (July 1, 2021). "Amazon Prime Video to Stream Final Evangelion Film on August 13". Anime News Network. {{cite web}}:
  109. ↑ Antonio Pineda, Raphael (July 20, 2021). "Amazon Prime Video Also Streams Final Evangelion Film in Japan on August 13". Anime News Network. {{cite web}}:
  110. ↑ Loo, Egan (August 12, 2021). "Amazon Prime Video Lists Final Evangelion Film's English Dub Cast". Anime News Network. Retrieved 2021-08-14. {{cite web}}: CS1 maint: url-status (link)
  111. ↑ Fujitsu, Ryota (March 19, 2021). "「シン・エヴァ」評 横浜国立大教授・須川亜紀子の場合：朝日新聞デジタル". 朝日新聞デジタル . Archived from the original on 2021-04-04. Retrieved 2021-04-09. {{cite web}}:
  112. ↑ Ohara, Asushiri. "ゲンドウ、それヘッドホンやないで（小原篤のアニマゲ丼）：朝日新聞デジタル". 朝日新聞デジタル . Archived from the original on 2021-03-29. Retrieved 2021-04-09. {{cite web}}:
  113. ↑ Azuma, Hiroki (March 19, 2021). "「シン・エヴァ」評 批評家・東浩紀の場合：朝日新聞デジタル". 朝日新聞デジタル . Archived from the original on 2021-05-06. Retrieved 2021-04-09. {{cite web}}:
  114. ↑ Sugawa, Akiko (March 19, 2021). "「シン・エヴァ」評 横浜国立大教授・須川亜紀子の場合：朝日新聞デジタル". 朝日新聞デジタル . Archived from the original on 2021-04-04. Retrieved 2021-04-09. {{cite web}}:
  115. ↑ 115.0 115.1 "『エヴァンゲリオン』は閉じた作品ではない 観た人を熱狂させる理由を考察". Real Sound｜リアルサウンド 映画部 . Archived from the original on 2021-04-11. Retrieved 2021-04-11. {{cite web}}:
  116. ↑ "シン・エヴァンゲリオン劇場版 特集: あらすじ・見どころ解説・レビュー 「エヴァ」未経験者が新劇場版4作を一気に鑑賞してみたら…体験レポ". 映画.com . Archived from the original on 2021-04-08. Retrieved 2021-04-09. {{cite web}}:
  117. ↑ 株式会社インプレス (2021-03-28). "「シン・エヴァ」声優14人による舞台挨拶、シンジから皆に「おめでとう」". AV Watch . Archived from the original on 2021-04-13. Retrieved 2021-04-13. {{cite web}}:
  118. ↑ 株式会社つみき. "【発表】映画『シン・エヴァンゲリオン劇場版』初日満足度ランキング1位獲得 | FILMAGA（フィルマガ）". filmaga.filmarks.com . Archived from the original on 2021-03-16. Retrieved 2021-04-09. {{cite web}}:
  119. ↑ "エヴァ世代ではない60代の私が「シン・エヴァ劇場版」に震えた理由（中川 右介）". 現代ビジネス. Archived from the original on 2021-03-19. Retrieved 2021-04-09. {{cite web}}:
  120. ↑ "『シン・エヴァ』、私たちは「ゲンドウの描かれ方」に感動するだけでいいのか？ 根本的な疑問（杉田 俊介）". 現代ビジネス. Archived from the original on 2021-03-26. Retrieved 2021-04-09. {{cite web}}:
  121. ↑ "超期待した『シン・エヴァ』にモヤモヤした「３つの理由」（飯田 一史）". 現代ビジネス. Archived from the original on 2021-03-23. Retrieved 2021-04-09. {{cite web}}:
  122. ↑ Rider, Ram (March 27, 2021). "「困ってる姿を撮るのがいいですよ」シン・エヴァ庵野密着、本当の"プロフェッショナル"は誰だったのか". 文春オンライン. Archived from the original on 2021-04-01. Retrieved 2021-04-09. {{cite web}}:
  123. ↑ ""式典"としての『シン・エヴァンゲリオン劇場版』 前3作との大きな違いと"物語の終わり"（リアルサウンド）". Yahoo!ニュース . Archived from the original on 2021-04-08. Retrieved 2021-04-09. {{cite web}}:
  124. ↑ "結局、『シン・エヴァ劇場版』は何を終わらせられなかったのか（現代ビジネス）". Yahoo!ニュース . Archived from the original on 2021-03-27. Retrieved 2021-04-09. {{cite web}}:
  125. ↑ "『シン・エヴァンゲリオン劇場版』はいかに「オタクの呪縛」と向き合ったのか＜ネタバレ注意＞（HARBOR BUSINESS Online）". Yahoo!ニュース . Archived from the original on 2021-03-24. Retrieved 2021-04-09. {{cite web}}:
  126. ↑ "大絶賛が多い『シン・エヴァ劇場版』、それでも"根深い分断"が生まれているワケ（現代ビジネス）". Yahoo!ニュース . Archived from the original on 2021-03-28. Retrieved 2021-04-09. {{cite web}}:
  127. ↑ Mateo, Alex (May 13, 2021). "Final Evangelion Film's Studio Khara Reports Slander, Threats, Criminal Intent Against Staff". Anime News Network. Retrieved May 14, 2021. {{cite web}}:
  128. ↑ Yamazaki, Takero (April 12, 2021). "'Evangelion' fans flock to Ube, director Anno's hometown". The Asahi Shimbun. Retrieved May 26, 2021. {{cite web}}:
  129. ↑ (in en) Evangelion: 3.0+1.0 Thrice Upon a Time (2021), https://www.rottentomatoes.com/m/evangelion_30_10_thrice_upon_a_time, retrieved August 17, 2021 
  130. ↑ Evangelion: 3.0+1.0 Thrice Upon a Time, https://www.metacritic.com/movie/evangelion-30+10-thrice-upon-a-time, retrieved 2021-08-18 
  131. ↑ Eisenbeis, Richard (March 9, 2021). "Evangelion: 3.0+1.0: Thrice Upon A Time". Anime News Network. Archived from the original on 2021-03-10. Retrieved 2021-03-12. {{cite web}}:
  132. ↑ McLain, Kyle (March 27, 2021). "Evangelion: 3.0+1.0 Thrice Upon a Time Review". IGN. Archived from the original on March 29, 2021. Retrieved March 29, 2021. {{cite web}}:
  133. ↑ Schley, Matt (2021-03-11). "'Evangelion: 3.0+1.0 Thrice Upon a Time': Anime epic gets a fitting finale". The Japan Times. Archived from the original on 2021-03-16. Retrieved 2021-04-09. {{cite web}}:
  134. ↑ Harrison, Justin (2021-08-01). "Evangelion 3.0+1.0: Thrice Upon a Time is an astonishing conclusion to one of science fiction's greatest works". The Spool. Retrieved 2021-08-12. {{cite web}}:
  135. ↑ Baseel, Casey (2021-03-08). "Final Evangelion movie is finally out, and we've seen it! Our Eva fans' spoiler-free impressions". SoraNews24 -Japan News-. Retrieved 2021-08-12. {{cite web}}: CS1 maint: url-status (link)
  136. ↑ Harding, Daryl (April 2, 2021). "Evangelion 3.0+1.0 is a Happy End to Evangelion". Crunchyroll. Archived from the original on April 26, 2021. Retrieved April 9, 2021. {{cite web}}:
  137. ↑ Cimi, Chris (2021-03-08). "Evangelion 3.0+1.0 Review (Spoiler-Free): Hideaki Anno's Vision (Finally) Fulfilled". OTAQUEST. Retrieved 2021-08-12. {{cite web}}:
  138. ↑ Pineda, Rafael Antonio (March 9, 2021). "Final Evangelion Film's 1st Day Sells Over 530,000 Tickets for Over 800 Million Yen". Anime News Network. Archived from the original on 2021-03-11. Retrieved 2021-03-12. {{cite web}}:
  139. ↑ Pineda, Rafael Antonio (March 10, 2021). "Final Evangelion Film Breaks IMAX Opening Day Record in Japan". Anime News Network. Archived from the original on 2021-03-11. Retrieved 2021-03-12. {{cite web}}:
  140. ↑ Pineda, Rafael Antonio (March 15, 2021). "Final Evangelion Film Earns 3.3 Billion Yen in 1st Week". Anime News Network. Archived from the original on 2021-03-15. Retrieved 2021-03-15. {{cite web}}:
  141. ↑ Pineda, Rafael Antonio. "Final Evangelion Film Opens at #1 in Japan". Anime News Network. Archived from the original on 2021-03-16. Retrieved 2021-03-16. {{cite web}}:
  142. ↑ Hodgkins, Crystalyn (29 March 2021). "Evangelion: 3.0+1.0 Film Earns ¥6 Billion, Becomes Highest-Earning in Franchise". Anime News Network. https://www.animenewsnetwork.com/news/2021-03-29/evangelion-3.0-1.0-film-earns-6-billion-yen-becomes-highest-earning-in-franchise/.171259. 
  143. ↑ Pineda, Rafael Antonio (April 7, 2021). "Final Evangelion Film Tops 7 Billion Yen After 30 Days". Anime News Network. Archived from the original on 2021-04-08. Retrieved 2021-04-09. {{cite web}}:
  144. ↑ Antonio Pineda, Rafael (May 6, 2021). "Final Evangelion Film Is Now Hideaki Anno's Highest-Earning Film With 8.28 Billion Yen". Anime News Network. Retrieved May 6, 2021. {{cite web}}:
  145. ↑ Pineda, Rafael Antonio (June 15, 2021). "Evangelion: 3.0+1.0 Film Shoots Back to #1 After 1 Weekend Out of Top 10". Anime News Network. Retrieved June 16, 2021. {{cite web}}:
  146. ↑ Loo, Egan (June 14, 2021). "Final Evangelion Film's Box Office Jumps 960.5% Over Previous Weekend". Anime News Network. Retrieved June 17, 2021. {{cite web}}:
  147. ↑ Loo, Egan (June 16, 2021). "Final Evangelion Film Tops 9 Billion Yen". Anime News Network. Retrieved June 16, 2021. {{cite web}}:
  148. ↑ "https://twitter.com/toei_pr/status/1414857156168351744". Twitter. Retrieved 2021-07-13. {{cite web}}:
  149. ↑ "https://twitter.com/evangelion_co/status/1418120270125043712". Twitter. Retrieved 2021-07-22. {{cite web}}:
  150. ↑ Stenbuck, Kite (2021-08-17). "Evangelion 3.0+1.01 Topped Amazon Prime Video on Launch Day". Siliconera. Retrieved 2021-08-19. {{cite web}}: CS1 maint: url-status (link)

External links[]

Neon Genesis Evangelion
Media Main Anime (episodes) • Manga (chapters) • Angelic Days • Shinji Ikari Raising Project • Petit Eva: Evangelion@School • Campus Apocalypse
Films Death & Rebirth • The End of Evangelion • Rebuild of Evangelion (1.0 • 2.0 • 3.0 • 3.0+1.0)
Video games Ayanami Raising Project • Shinji Ikari Raising Project • Girlfriend of Steel (2nd) • Neon Genesis Evangelion (2) • Shinji and Good Friends •Battle Orchestra • Misato Katsuragi's Reporting Plan • City Shrouded in Shadow
Music "A Cruel Angel's Thesis" • "Fly Me to the Moon" • "Beautiful World" • "Sakura Nagashi"
Studios Gainax • Khara • Production I.G • Tatsunoko Production
Characters Shinji Ikari • Rei Ayanami • Asuka Langley Soryu • Misato Katsuragi • Gendo Ikari • Kaworu Nagisa
People Hideaki Anno • Yoshiyuki Sadamoto • Kazuya Tsurumaki • Shirō Sagisu • Ikuto Yamashita • Yōji Enokido • Takeshi Honda • Mahiro Maeda
Related Angels • Evangelions • Themes • Aoki Uru • "Arue" • Japan Animator Expo • Shinkansen Henkei Robo Shinkalion
Works directed by Hideaki Anno
Feature films Neon Genesis Evangelion: Death & Rebirth (1997) • The End of Evangelion (1997) • Love & Pop (1998) • Ritual (2000) • Cutie Honey (2004) • Gunbuster vs. Diebuster (2006) • Evangelion: 1.0 You Are (Not) Alone (2007) • Evangelion: 2.0 You Can (Not) Advance (2009) • Evangelion: 3.0 You Can (Not) Redo (2012) • Shin Godzilla (2016) • Evangelion: 3.0+1.0 (2020) • Shin Ultraman (2021)
Animated series Gunbuster (1988–89) • Nadia: The Secret of Blue Water (1990–91) • Neon Genesis Evangelion (1995–96) • His and Her Circumstances (1998–99)

Template:Kazuya Tsurumaki Template:Studio khara
Cite error: <ref> tags exist for a group named "n", but no corresponding <references group="n"/> tag was found

Community content is available under CC-BY-SA unless otherwise noted.
Advertisement