|Batman: Mask of the Phantasm|
Theatrical release poster
|Story by||Alan Burnett|
|Music by||Shirley Walker|
|Editing by||Al Breitenbach|
|Studio||Warner Bros. Animation|
|Distributed by||Warner Bros. Family Entertainment|
|Running time||76 minutes|
|Box office||$5.6 million|
Batman: Mask of the Phantasm (also known as Batman: The Animated Movie) is a 1993 American animated neo-noir superhero mystery film featuring the DC Comics character Batman. Directed by Eric Radomski and Bruce Timm, it is a cinematic continuation of Batman: The Animated Series.
The film was written by Alan Burnett, Paul Dini, Martin Pasko and Michael Reaves and stars the vocal talents of Kevin Conroy, Mark Hamill and Efrem Zimbalist, Jr. (all reprising their roles from The Animated Series), in addition to Dana Delany, Hart Bochner, Stacy Keach, and Abe Vigoda. Its story follows Batman as he deals with his reconciliation with a former lover, Andrea Beaumont, and pits him against a mysterious vigilante who is murdering Gotham City's crime bosses. The film's plotline was inspired by Mike W. Barr's Batman: Year Two comic book story arc, but features an original antagonist, the titular Phantasm, in place of The Reaper.
Originally planned for a direct-to-video release, Warner Bros. ultimately decided to give Mask of the Phantasm a theatrical release, condensing its production into a strenuous eight-month schedule. The film was released through the studio's Family Entertainment division on December 25, 1993 to widespread acclaim from critics, who praised the animation, voice performances, storyline and music. However, due to the decision to release it in theaters on short notice, Mask of the Phantasm failed at the box office.
After its release on home video, the film developed a cult following. Its eventual success led to two direct-to-video standalone sequels, Batman & Mr. Freeze: SubZero in 1997 and Mystery of the Batwoman in 2003. Until the limited release of Batman: The Killing Joke in 2016, Mask of the Phantasm was the only animated Batman film to be given a theatrical release. In recent years, many publications, including Time, IGN and WhatCulture, have ranked it among the best Batman films ever made and among the best animated films ever made.
Plot[edit | edit source]
A young Bruce Wayne meets Andrea Beaumont while visiting his parents' grave, and the pair form a deep mutual attraction. That night, in one of his first crime-fighting attempts, Bruce foils an armored car robbery. Although he succeeds, he is discouraged because the criminals did not fear him. Eventually, Bruce decides to abandon his plans to become a vigilante and proposes marriage to Andrea. However, Andrea mysteriously leaves Gotham with her father, businessman Carl Beaumont, ending her engagement in a "Dear John" letter. Believing he has lost his last chance of having a normal life, Bruce becomes Batman.
Ten years later, Batman confronts a group of Gotham City crime bosses led by Chuckie Sol, who are intending to launder millions of counterfeit dollars in a casino. As Sol escapes to his car, a cloaked figure attacks him; Sol is killed when the figure causes him to drive out the side of a parking garage and into a neighboring building. Batman arrives soon after, and bystanders blame him for Sol's death. Councilman Arthur Reeves tells the media that Batman is a menace (despite Commissioner Gordon's protests). Attending a party at Wayne Manor, Reeves teases Bruce for allowing Andrea to leave him.
The cloaked figure murders another gangster, Buzz Bronski, in the same cemetery Bruce met Andrea. Batman investigates Bronski's death and wanders to his parents' tombstone. He overhears Andrea talking at her mother's grave, just as she had been when he first met her. She is startled by Batman's appearance and he flees. Batman finds evidence linking Carl Beaumont with Sol, Bronski and a third gangster: Salvatore Valestra. He breaks into Valestra's home and discovers a photograph of Bronski, Valestra, Sol and Beaumont seated at a table. When he visits Andrea to try to get more answers she rebuffs him, intimating that she knows his identity. Meanwhile, Valestra believes Batman killed the others and will come for him, so he turns to the Joker for help.
The figure arrives at Valestra's house but finds the gangster dead by Joker's hands. Joker has strapped a camera to Valestra's corpse and sees the murderer is not Batman. The figure escapes as the house explodes. Batman pursues the killer, but is interrupted by the police and rescued from arrest by Andrea. Andrea later explains that she and her father had been hiding in Europe from Valestra's mob, from whom he had embezzled money; her father repaid, but they put out a hit on him. Bruce now believes her father is the killer. Bruce ponders resuming his relationship with Andrea and giving up Batman. He notices a familiar-looking man in the background of the photo of Bronski, Valestra, Sol and Beaumont: the man who would become the Joker. Joker visits Reeves and presses him for information; Reeves insists that Batman is the cloaked killer. He professes his ignorance but Joker believes Reeves needs to protect his reputation and poisons him. Reeves is taken to the hospital where Batman later breaks in and interrogates him. Reeves confesses he helped the Beaumonts escape and told Valestra's mob their location.
The cloaked figure tracks Joker to his hideout and reveals itself as Andrea, intent on avenging her father's death by killing every last surviving member of Valestra's mob. With the others dead Joker is the last one alive, and is the one who carried out the hit on her father. Having already deduced her identity, Joker fights her. Just before he can kill Andrea, Batman arrives and begs Andrea to give up her quest. She refuses and disappears. Batman and the Joker battle to a stalemate. Moments later Andrea returns and seizes Joker, bidding Batman goodbye before vanishing with the maniacally laughing clown. The amusement park erupts in a series of explosions and Batman barely escapes. Alfred later consoles Bruce, telling him that no one could have helped Andrea. Bruce finds her locket, containing a picture of himself and Andrea, in the Batcave. Meanwhile, Andrea departs from Gotham alone on an ocean liner. Batman stands on top of a Gotham building when the Bat-Signal appears in the sky, and swings off into the night to continue his war on crime.
Cast[edit | edit source]
- Kevin Conroy as Bruce Wayne/Batman; a billionaire industrialist whose parents were killed by a mugger when he was eight years old. After traveling the world for several years to seek the means to fight injustice, he returns to Gotham. At night, Bruce becomes Batman, Gotham City's secret vigilante protector.
- Mark Hamill as Joker; Batman's most famous nemesis, who was once an assassin for Valestra, thus, he is implied to be responsible for the murder of Carl Beaumont. Valestra hires him to kill Batman, but the Joker kills Valestra instead. Hamill claims he took the opportunity of reprising his role from The Animated Series by way of creating new "laughing vocabularies."
- Dana Delany as Andrea Beaumont; a woman Bruce meets in the early years of his return to Gotham after traveling the world. The decision to propose to her in marriage leads to him abandoning his plans for becoming a vigilante. However, after she unexpectedly and mysteriously leaves Gotham, Bruce's frustration leads him to becoming Batman. Delany's voice performance in the film impressed the filmmakers, leading to her becoming the voice of Lois Lane in Superman: The Animated Series.
- Hart Bochner as City Councilman Arthur Reeves; a corrupt city official who was once an intern for Carl Beaumont. He later becomes involved with Valestra's gang in order to gain the influence to enter City Council, and told them where his former boss was hiding in return for campaign funds. Years later, Joker tracks him down and poisons him with his trademark toxin. He last appears in the Gotham City Mental Hospital, having been driven insane by the Joker's chemicals and possibly died as a result. Bochner's father, Lloyd Bochner, voiced Mayor Hamilton Hill in The Animated Series.
- Stacy Keach as Carl Beaumont; Andrea's father, who was secretly in business with the Valestra gang. He goes in debt to Valestra and flees to Europe with Andrea, but is later murdered by Valestra's personal hitman, who would become the Joker. Keach also provided the voice for the Phantasm.
- Abe Vigoda as Salvatore Valestra; a powerful crime boss who goes into business with Carl Beaumont, and threatens to kill him for embezzling money. Once Andrea returns, he is an old, decrepit man, dependent on an oxygen tank to live due to years of smoking. He hires the Joker to kill Batman, but the Joker double-crosses him and kills him with Joker venom.
- Efrem Zimbalist, Jr. as Alfred Pennyworth; once the trusted butler to Bruce Wayne's parents, he continues his loyal service to their son after their deaths. He is Batman's closest confidante.
- Robert Costanzo as Detective Harvey Bullock; a detective with the Gotham City Police Department who distrusts Batman and is put in charge of the police task force assigned to hunt down the Dark Knight after he is framed for the gangster murders.
- Bob Hastings as Commissioner James Gordon; the police commissioner of Gotham City and Batman's closest ally. He refuses to capture Batman, believing the Dark Knight is not responsible for any of the gangster murders. Hastings reprises his role from The Animated Series.
- Dick Miller as Charles "Chuckie" Sol; a crime boss and the Phantasm's first victim.
- John P. Ryan as Buzz Bronski; a crime boss who seems to have had a brief partnership with Chuckie Sol. He is later killed by the Phantasm at the cemetery while visiting Sol's grave.
- Arleen Sorkin (uncredited cameo) as Mrs. Bambi.
Production[edit | edit source]
Impressed by the success of the first season of Batman: The Animated Series on Fox, Warner Bros. assigned Alan Burnett to write a story for a full-length animated film. The original idea for the film was to have Batman being captured by his enemies at Arkham Asylum and be put on a trial by them, as they wanted to show that he was guilty of making them what they had become. The idea's concept, however, was considered "too brainy", as it required Batman to be immobile for a long time, so the idea was later used in the series' episode "Trial", which was aired after the movie's release. Although the Joker does play a pivotal role in the film, it was Burnett's intention to tell a story far removed from the television show's regular rogues gallery. Burnett also cited he "wanted to do a love story with Bruce because no one had really done it on the TV show. I wanted a story that got into his head." In reality, the creative team had said that they originally didn't want to use the Joker in the film. Conversely, Paul Dini stated that the Joker was always part of the film from the beginning of its production. The writers were highly cautious of placing the Joker in the film as they did not want any connection to Tim Burton's 1989 film Batman, but writer Michael Reaves said, "We then realized that we could make his appearance serve the story in a way that we never could in live-action." In order to keep the Joker as a solo threat, Bruce Timm and Burnett convinced frequent Animated Series writer Paul Dini to not use Harley Quinn in the film for that reason. The same technique was previously used in the episodes "Joker's Wild" and "The Strange Secret of Bruce Wayne".
Aiding Burnett in writing the script were Martin Pasko, who handled most of the flashback segments; Reaves, who wrote the climax; and Dini, who claims he "filled in holes here and there". The film's plot was heavily influenced by the 1987 miniseries Batman: Year Two, written by Mike W. Barr and illustrated by Alan Davis, Paul Neary, Alfredo Alcala, Mark Farmer and Todd McFarlane. Orson Welles' 1941 classic Citizen Kane served as an influence for the flashbacks, a story about loss and the passage of time. The character of Hazel, the cook robot of the World of the Future Fair, was named by Burnett after Hazel the Maid (portrayed by actress Shirley Booth), The Saturday Evening Post protagonist of cartoonist Ted Key's TV show Hazel. On the other hand, the design of the Phantasm went into 20 different versions until one was found which convinced the film's crew. According to Burnett, the Phantasm was like the Grim Reaper with a cape, although the idea was to make him resemble the Ghost of Christmas Future of Charles Dickens' novel A Christmas Carol, something that even the Joker mentions in the finished version of the film.
Early in production, Warner Bros. decided to release Phantasm as a theatrical release, rather than straight to video. That left less than a year for production time (most animated features take well over two years from finished story to final release). Due to this decision, the animators went over the scenes in order to accommodate the widescreen theatrical aspect ratio. The studio cooperated well, granting the filmmakers a large amount of creative control.
Warner Bros. also increased the production budget to $6 million, which gave the filmmakers opportunities for more elaborate set pieces. The opening title sequence featured a flight through an entirely computer-generated Gotham City. As a visual joke, sequence director Kevin Altieri set the climax of the film inside a miniature automated model of Gotham City, where Batman and the Joker were giants. This was an homage to a mainstay of Batman comic books of the Dick Sprang era, often featuring the hero fighting against a backdrop of gigantic props (they would later do another homage to Sprang's works in The New Batman Adventures episode "Legends of the Dark Knight"). From start to finish, the film was completed within eight months.
Themes[edit | edit source]
Paul Dini intended each of the flashbacks into Batman's love life to "have a tendency to get worse, when you hope things will get better." Bruce's relationship with Andrea, which at first shows promise, eventually turns into turmoil. At first, Bruce and Andrea are set for marriage, but then Bruce is given a farewell note from Andrea cutting off their relationship. This eventually leads into Bruce's decision to become Batman. Richard Corliss of Time felt this scene paralleled Andrea's decision to avenge her own parents and reject love when she finds her own father murdered. Both events transform the two people (Bruce becomes Batman, Andrea becomes the Phantasm). One scene depicts Bruce Wayne at his parents' tombstone saying "I didn't count on being happy." According to Reaves, this scene was to be a pivotal moment in Bruce's tragic life, as he denies himself the opportunity to live a normal life. Reaves also stated: "When Bruce puts on the mask for the first time, [after Andrea breaks their engagement], and Alfred says 'My God!' he's reacting in horror, because he's watching this man he's helped raise from childhood, this man who has let the desire for vengeance and retribution consume his life, at last embrace the unspeakable."
Comic books and merchandise[edit | edit source]
DC Comics released a comic book adaptation written by Kelley Puckett and drawn by Mike Parobeck. The comic book adaptation was later included with the VHS release. Kenner, who had already released toys for the cartoon series, produced several tie in figures for the film, including Joker and the Phantasm (packaged unmasked, spoiling a pivotal plot point in the film). Batman & Robin Adventures Annual #1: Shadow of the Phantasm was a comic book sequel to the film. It was written by Dini and released in 1996. In 2015, a DC Collectibles action figure 2-pack featuring Batman and Phantasm was released.
Music[edit | edit source]
|Batman: Mask of the Phantasm|
The soundtrack was composed by Shirley Walker, the main composer for The Animated Series. Walker cited the score as a favorite among her own compositions. In an interview with Cinemusic.com, Walker explained that the "latin" lyrics used in the Main Title were actually names of key Warner Bros. staff read backwards. The song "I Never Even Told You" was written by Siedah Garrett and Glen Ballard.
The score was originally released on December 14, 1993 by Reprise Records. On March 24, 2009, La-La Land Records released a limited expanded edition. The release includes all tracks found on the original release with some tracks expanded. It also features almost 30 minutes of previously unreleased material.
Original release[edit | edit source]
All music composed by Walker except where otherwise noted.
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Expanded edition release[edit | edit source]
Previously unreleased tracks are in bold.
- "Main Title: Batman: Mask of the Phantasm" (Expanded) (5:01)
- "The Promise" (Expanded) (1:25)
- "Ski Mask Vigilante" (Expanded) (4:28)
- "Fancy Footwork" (0:40)
- "Phantasm's Graveyard Murder" (3:52)
- "Bad News/Set Trap/May They Rest in Peace" (1:51)
- "First Love" (1:59)
- "City Street Drive/Sal Velestra/Good Samaritan" (2:16)
- "Birth of Batman" (Expanded) (6:01)
- "The Joker's Big Entrance" (3:02)
- "The Big Chase" (5:40)
- "Nowhere to Run" (2:01)
- "A Plea for Help" (1:01)
- "A Tall Man/Arturo and his Pal/Makes You Want to Laugh/What's So Funny?" (4:04)
- "Andrea Remembers/True Identity" (3:18)
- "Phantasm and Joker Fight" (6:01)
- "Batman's Destiny" (1:46)
- "I Never Even Told You" (4:23)
- "Theme from Batman: Mask of the Phantasm" (2:06) (Bonus Track)
- "Welcome to the Future!" (1:01) (Bonus Track)
Reception[edit | edit source]
Box office[edit | edit source]
Batman: Mask of the Phantasm opened on December 25, 1993 in the United States in 1,506 theaters, accumulating $1,189,975 over its first 2 days. The film went on to gross $5,617,391 in the domestic total box office intake. The filmmakers blamed Warner Bros. for the unsuccessful marketing campaign. Mask of the Phantasm eventually turned a profit with its various home video releases.
Critical response[edit | edit source]
Batman: Mask of the Phantasm received generally positive reviews from critics. The film has an 82% overall approval rating on Rotten Tomatoes with the consensus stating, "Stylish and admirably respectful of the source material, Batman: Mask of the Phantasm succeeds where many of the live-action Batman adaptations have failed." Empire cited it as the best animated film of 1993, and felt it contained better storylines than Tim Burton's Batman and Batman Returns. TV Guide was impressed with the art deco noir design that was presented. In addition the film's climax and Batman's escape from the Gotham City Police Department were considered to be elaborate action sequences. Richard Harrington of The Washington Post agreed with overall aspects that included the animation, design, dialogue and storyline, as well as Shirley Walker's film score. Gene Siskel and Roger Ebert regretted not having viewed the film during its theatrical release and gave the film a positive review, with Siskel feeling that Phantasm was better than Batman Returns and Joel Schumacher's Batman Forever, and only slightly below Batman. Siskel's only quibble was Hamill as The Joker.
However, Stephen Holden of The New York Times thought the voice performances were "flat and one-dimensional". Chris Hicks of the Deseret News felt "the picture didn't come alive until the third act" feeling that the animators sacrificed the visuals for the storyline. In addition, he felt Mark Hamill "stole the show." Leonard Klady of Variety had mixed reactions towards the film, but his review was negative overall. He felt the overall themes and morals were clichéd and cited the animation to be to the "point of self-parody".
Legacy[edit | edit source]
Over time, the film has become a beloved cult hit. In a 2010 list, IGN ranked Mask of the Phantasm as the 25th best animated film of all time. That same year IGN also stated it was "the Dark Knight's best big screen story" until Batman Begins. In 2011, Total Film also named Mask of the Phantasm as one of the greatest animated movies of all time, coming in at 47th out of 50. Time ranked Phantasm as one of the 10 best superhero films ever in 2011. Wired's Scott Thill called Kevin Conroy "the finest Batman on record" in 2009. In October 2012, WhatCulture also praised the film, saying it was at the same level as Christopher Nolan's The Dark Knight Trilogy, if not slightly higher. In 2016, the popular Internet reviewer Nostalgia Critic described Mask of the Phantasm as the best cinematic representation of the Batman character, as well as an underrated film deserving of a Blu-ray release.
Home media[edit | edit source]
Mask of the Phantasm was released on LaserDisc in April 1994 and on VHS in May of the same year. The VHS was reissued in April 2003 as part of a three-tape pack with Batman & Mr. Freeze: SubZero and Batman Beyond: Return of the Joker. Mask of the Phantasm was first released on DVD in December 1999 as a snap case and in October 2005 as a keep case with the insert. The film was re-released in April 2004 as a three disc DVD box set that included SubZero and Return of the Joker. That version is currently out of print. Warner Home Video re-released the film again in February 2008 as a double feature DVD with SubZero. The film was released as part of the Warner Archive Collection on Blu-ray on July 25, 2017, featuring new high definition transfers of 16:9 and 4:3 presentations of the film.
Accolades[edit | edit source]
References[edit | edit source]
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- Paul Dini; Chip Kidd (1998). Batman Animated. Titan Books. p. 114. ISBN 1-84023-016-9.
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- Helfer, Andrew; Burnett, Alan; Dini, Paul (1993-12-01) (in English). Batman: Mask of the Phantasm - The Animated Movie, A Novelization. New York: Skylark. ISBN 9780553481747. https://www.amazon.com/dp/0553481746/.
- Gravel, Geary (1993-12-01) (in English). Batman: Mask of the Phantasm (1st ed.). New York: Bantam. ISBN 9780553565812. https://www.amazon.com/dp/0553565818/.
- Puckett, Kelley; Parobeck, Mike (1993-01-01) (in English). Mask of the Phantasm: Batman : the Animated Movie (First ed.). New York, NY: DC Comics. ISBN 9781563891229. https://www.amazon.com/dp/1563891220/.
- Randall Larson (2006-12-07). "Remembering Shirley Walker". Mania Music. http://www.mania.com/52977.html. Retrieved 2015-12-16.
- "Batman: Mask of the Phantasm". Archived from the original on 10 January 2007. https://web.archive.org/web/20070110192716/http://www.cinemusic.net/reviews/1993/batmanmotp.html. Retrieved 22 June 2017.
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- Phil Pirrello; Eric Goldman; Matt Fowler; Scott Collura; Cindy White; Jesse Schedeen (26 Jun 2010). Top 25 Animated Movies of All-Time. IGN. http://www.ign.com/articles/2010/06/25/top-25-animated-movies-of-all-time.
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- "Top 10 Superhero Movies". Time Magazine. 2011-06-03. http://entertainment.time.com/2011/06/03/top-10-superhero-movies/slide/iron-man-2008/#batman-mask-of-the-phantasm-1993. Retrieved 2012-10-14.
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- Batman: Mask of the Phantasm Heads to Blu-ray. Coming Soon. 19 June 2017.
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Further reading[edit | edit source]
- Bruce Timm; Erick Nolen-Weathington (June 2004). Modern Masters Volume 3: Bruce Timm (Paperback). A detailed analysis on the works of Bruce Timm, the director of this film. TwoMorrows Publishing. ISBN 1-893905-30-6.
- Alan Burnett; Paul Dini; Andrew Helfer (1 December 1993). Batman: Mask of the Phantasm – The Animated Movie, A Novelization (Paperback). Novelization of the film. Skylark. ISBN 0-553-48174-6.
- Geary Gravel (1 December 1993). Batman: Mask of the Phantasm (Mass Market Paperback). Novelization of the film. Bantam Books. ISBN 0-553-56581-8.
- Kelley Puckett (December 1993). Batman: Mask of the Phantasm; Comic book adaptation of the film (Paperback). Mike Parobeck (illustrator). DC Comics. ISBN 1-56389-122-0.
[edit | edit source]
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|Wikiquote has a collection of quotations related to: [[[:Template:Sec link/relative url]] Batman: Mask of the Phantasm]|
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